{"title":"Strymon","description":"\u003cp\u003e1 Year Warranty\u003c\/p\u003e","products":[{"product_id":"strymon-aa-1-amplifier-attenuator","title":"Strymon AA.1 Amplifier Attenuator","description":"\u003cp\u003e\u003cstrong\u003eBridge Between Worlds.\u003c\/strong\u003e\u003cbr\u003eAA.1 is designed to be your bridge between the world of guitar pedals and the world of Eurorack modular. This compact 4HP amplifier attenuator module has everything you need to interface your modular with your guitar effects pedals as well as with your guitar or bass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMerge Guitar With Modular.\u003c\/strong\u003e\u003cbr\u003eAA.1 is purpose built to combine your guitar gear and Eurorack modules in just about any way you can imagine. Connect a pedal to the effects send and return of Magneto. Use your guitar or bass as a signal source for mangling and warping with your modular gear. Send an instrument level stereo master output from your modular rack to your computer audio interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn The Level.\u003c\/strong\u003e\u003cbr\u003eAA.1 is designed to solve all the issues that arise when introducing guitar gear to the world of Eurorack. Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces. And it’s not just the output of the modules: Audio inputs in a Eurorack system also need to receive hot signals. AA.1 amplifies the input and attenuates the output signals to the appropriate levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEasy to Use.\u003c\/strong\u003e\u003cbr\u003eAA.1 is straightforward to use. The 1\/4″ stereo input amplifies guitar level signals by +18dB, outputting the amplified signal through left and right 1\/8″ outputs (use the left output for mono). Left and right 1\/8″ inputs attenuate Eurorack level signals by -18dB, sending the attenuated signal through left and right 1\/4″ outputs suitable for outputting to guitar level products.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSTEREO IN – Amplifies Guitar Level signals by +18dB. Tip is routed to L OUT, Ring is routed to R OUT. For mono signals, use L OUT.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eL and R OUT +18 dB – Designed to patch into Eurorack inputs. Signal source is STEREO IN. Signal gain is +18dB.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eL and R 1\/8” IN – Attenuates Eurorack level signals by -18dB.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eL and R OUT -18dB – Designed to patch into Guitar Level Products. Signal source is L and  R 1\/8” IN. 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The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs.\u003c\/p\u003e\n\u003cp\u003eTo create a reverb experience as beautiful and immersive as BigSky required, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGo where no reverb has gone before.\u003c\/strong\u003e\u003cbr\u003eFeel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Defy the laws of physics with the Nonlinear reverbs. Unleash the multi-head reverberations of the Magneto machine. 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Using processing power not dreamed of in those days, the Cloud reverb machine obscures the distinction between reality and fantasy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChorale Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA vocal choir accompanies your music. Choose vowel ranges and intensities to customize your choir as it sings in venues that vary with the Decay knob. As the Modulation is increased, the choir becomes alive with a multitude of voices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShimmer Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo tunable voices add pitch-shifted tones to the reverberated signal, for resplendent, unearthly ambience. The voices are carefully created from the reverberated signal itself to generate maximum radiance and beauty. The Amount and Mode parameters allow for a range of shimmer effects from laid-back and subtle to full-blown majestic splendor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagneto Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA new style of music emerged in the late ’50s, featuring the guitar as the ‘lead voice’ enhanced by the reverberated wash of a multi-head echo. The Magneto machine sets up a multi-head echo with all heads on, while the PreDelay knob adds feedback. The Diffusion parameter adds a new dimension of ambience, smearing the response of the heads and blurring the line between delay and reverb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNonlinear Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA variety of physics-defying reverb shapes are available for special effects and unique textures. Choose from three ‘backwards’ shapes (Swoosh, Reverse, and Ramp), or a Gate and more. Feedback control, Late Reverb, and Diffusion parameters allow for a vast array of time-warped possibilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReflections Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Reflections machine is a psycho-acoustically accurate small-space reverb that allows you to move your amp anywhere in the room. The Reflections algorithm precisely calculates 250 reflections based on the source position within the chosen room shape. The psycho-acoustic modifiers adjust for human auditory perception to create unparalleled ambient-space realism to dry instrument or vocal tracks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRoom Reverb\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA versatile room algorithm that creates environments ranging from well-tuned studio ambience to larger night club acoustics. The Tone knob, Diffusion and Low End parameters adjust the damping and scattering effects of room materials, furniture, and people.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Controls\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Display can show your Decay time, Preset name or Preset bank number. When editing a sound it will display your reverb parameters.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eValue gives you complete control over reverb parameters, global settings, and fine-tuning of Decay time. Each reverb machine type has its own set of easily adjustable parameters.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDecay controls the Decay time of the reverberated signal. The range can depend on the selected reverb machine.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePre-Delay adjusts the time between the dry signal and the onset of the reverb, from 0 to 1.5 seconds. For the Nonlinear and Magneto machines, this knob controls the amount of Feedback.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMix controls the balance of your analog dry signal and your wet signal, from 100% dry at minimum to 100% wet at maximum. The mix occurs entirely in analog. 50\/50 mix occurs when the Mix knob is set to 3:00.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eType allows you to select your reverb machine type. Choose from Room to Shimmer and everything in between. Press to toggle the display between Bank and Time. Press and hold to save a preset.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTone adjusts the high end content of the reverb. Lower settings create darker, warmer reverberation, higher settings are bright and crisp. Set at 12:00 for a nicely balanced top end.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eParam 1 is assignable to any menu parameter for the current reverb machine, assignable per preset.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eParam 2 is assignable to any menu parameter for the current reverb machine, assignable per preset.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMod adds modulation to the reverberated signal. Lower settings modulate the delay lines lightly for a subtle and natural movement, higher settings tastefully add stronger modulation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA Footswitch activates or bypasses your preset. Press and hold for Infinite Sustain or Freeze, assignable per preset. Press A and B simultaneously to Bank Down through your presets.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eB Footswitch activates or bypasses your preset. Press and hold for Infinite Sustain or Freeze, assignable per preset.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC Footswitch activates or bypasses your preset. Press and hold for Infinite Sustain or Freeze, assignable per preset. Press B and C simultaneously to Bank Up through your presets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRear Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeft Input – Plug your instrument in here. Acts as a mono input when only one channel is being used.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRight Input – Plug your instrument in here.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeft Output – Connect to your amp, mixing board, etc. Acts as a mono output when only one channel is being used.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eRight Output – Connect to your amp, mixing board, etc.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eExpression Pedal Input – Connect to an expression pedal and control any knob or combination of knobs. Can also be used with an external tap switch.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCab Filter provides a sophisticated speaker response curve, for use with a full-range PA system or while direct recording.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI Input – Connect to external MIDI controllers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI Output – MIDI CCs can be sent out of the MIDI output whenever a knob is turned or a switch is pressed.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePower – 9VDC (center negative), 300mA minimum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHand crafted, studio-class reverb algorithms deliver lush, gorgeous, and musically inspiring reverb experiences\u003c\/li\u003e\n\u003cli\u003eTwelve reverb machines to choose from: Room, Hall, Plate, Spring, Swell, Bloom, Cloud, Chorale, Shimmer, Magneto, Nonlinear, Reflections\u003c\/li\u003e\n\u003cli\u003eSeven front-panel tone shaping knobs: Decay, Pre-Delay, Mix, Tone, Mod, Param 1, Param 2 (Param knobs assignable per preset)\u003c\/li\u003e\n\u003cli\u003eAdditional menu parameters allow for easy customization of reverb sounds\u003c\/li\u003e\n\u003cli\u003e300 easily accessible and namable presets\u003c\/li\u003e\n\u003cli\u003ePress-and-hold Infinite Sustain and Freeze functions, saveable per preset\u003c\/li\u003e\n\u003cli\u003eSpillover and Reverb Persist modes, saveable per preset\u003c\/li\u003e\n\u003cli\u003eSelectable Speaker Cabinet emulation for direct-to-PA gigs or recording applications\u003c\/li\u003e\n\u003cli\u003eThree rugged metal footswitches for preset selection and effect bypass\u003c\/li\u003e\n\u003cli\u003eLED display for preset info, reverb decay time, and extended parameter control\u003c\/li\u003e\n\u003cli\u003eMulti-color preset LEDs (green for active preset, amber for edited preset)\u003c\/li\u003e\n\u003cli\u003eFull MIDI implementation allows extended control for those with more complex rigs\u003c\/li\u003e\n\u003cli\u003eSturdy and lightweight light blue anodized aluminum chassis, with laser-etched artwork\u003c\/li\u003e\n\u003cli\u003eDurable black anodized aluminum knobs\u003c\/li\u003e\n\u003cli\u003eStudio-grade audio input and output jacks\u003c\/li\u003e\n\u003cli\u003eStereo input and output\u003c\/li\u003e\n\u003cli\u003eExpression pedal input with selectable control over any knob or combination of knobs, saveable per preset (also configurable as external tap input)\u003c\/li\u003e\n\u003cli\u003eMIDI input and output\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA (power supply NOT included)\u003c\/li\u003e\n\u003cli\u003eAnalog dry path for a zero latency dry signal that is never converted to digital\u003c\/li\u003e\n\u003cli\u003ePremium analog front end and output section\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e115dB typical signal to noise at 50% wet mix (120db at 100% dry mix, 109dB at 100% wet mix)\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003e+8dBu maximum input level easily handles instrument and line signals\u003c\/li\u003e\n\u003cli\u003eSuper high performance DSP in a compact form factor\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e366MHz SIMD SHARC processor core, capable of 2.4 Gigaflops peak performance\u003c\/li\u003e\n\u003cli\u003eTrue Bypass (electromechanical relay switching)\u003c\/li\u003e\n\u003cli\u003eHigh quality, tranparent Analog Buffered Bypass mode\u003c\/li\u003e\n\u003cli\u003e+\/- 3dB Boost\/Cut, saveable per preset\u003c\/li\u003e\n\u003cli\u003eOptional Kill Dry mode mutes dry signal, for use in parallel effects loops\u003c\/li\u003e\n\u003cli\u003e6.75” wide (17.15 cm) x 5.1” deep (12.95 cm) x 2.7” tall (6.86 cm)\u003c\/li\u003e\n\u003cli\u003eDesigned and Built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44445332897871,"sku":"Z120-BSKY","price":685.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/bigsky-transparent.png?v=1770228795"},{"product_id":"strymon-bigsky-mx-next-generation-reverb-workstation","title":"Strymon BIGSKY MX Next Generation Reverb Workstation","description":"\u003cp\u003e\u003cstrong\u003eA NEW ERA OF REVERB\u003c\/strong\u003e\u003cbr\u003eThe new pinnacle of what a reverb pedal can be has arrived.\u003c\/p\u003e\n\u003cp\u003eIn BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.\u003c\/p\u003e\n\u003cp\u003eThese are sounds to inspire new creative works and endless hours of playing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eONE VERB TO RULE THEM ALL\u003c\/strong\u003e\u003cbr\u003eBigSky MX packs a remarkable amount of premium features into a single pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e12 World-Class Reverb Machines\u003c\/strong\u003e\u003cbr\u003eBigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Reverbs At Once\u003c\/strong\u003e\u003cbr\u003eDual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10s Stereo Impulse Response Capability\u003c\/strong\u003e\u003cbr\u003eAccess full IR editing functionality, as well as custom long captures of classic studio gear.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Inputs and Outputs\u003c\/strong\u003e\u003cbr\u003eUnlock massive width and presence with full stereo I\/O featuring our discrete Class A JFET input preamps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated Infinite\/Freeze Footswitch\u003c\/strong\u003e\u003cbr\u003eCreate lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull MIDI Control And More\u003c\/strong\u003e\u003cbr\u003eChange presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWITH GREAT POWER COMES GREAT REVERBERATION\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTri-Core Arm Processor: 800 MHz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFloating Point Processing: 32-Bit\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBigSky MX features a staggering amount of computing power — it uses a high performance tri-core 800 MHz ARM processor — all dedicated to producing truly breathtaking reverbs. Our new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. \u003c\/p\u003e\n\u003cp\u003eThis type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTWO REVERBS AT ONCE\u003c\/strong\u003e\u003cbr\u003eBigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time.\u003c\/p\u003e\n\u003cp\u003eYou can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.\u003c\/p\u003e\n\u003cp\u003eFor a more interactive experience, you can dedicate a footswitch to control each reverb’s on\/off state if you desire.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOMETHING NEW AT EVERY POSITION ON THE DIAL\u003c\/strong\u003e\u003cbr\u003eBigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. \u003c\/p\u003e\n\u003cp\u003eImpulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.\u003c\/p\u003e\n\u003cp\u003eWithin every reverb type on BigSky MX, there are new sounds and features ready for you to explore.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUNPRECEDENTED IMPULSE RESPONSE CONTROL\u003c\/strong\u003e\u003cbr\u003eBigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time.\u003c\/p\u003e\n\u003cp\u003eSet decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch.\u003c\/p\u003e\n\u003cp\u003eAny compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation. \u003c\/p\u003e\n\u003cp\u003eBigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePreloaded With Inspiration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBigSky MX comes preloaded with 22 impulse responses, consisting of a number of different types of captures. We included a variety of impulses composed of different natural spaces in the collection, but we also wanted to give you some IR’s that were unique to MX.\u003c\/p\u003e\n\u003cp\u003eWe spent days in studios creating our very own long captures of classic analog studio gear, as well as some oddball units owned and restored by one of our analog engineers.\u003c\/p\u003e\n\u003cp\u003eThe result is a bunch of super-inspiring sounds, from real analog plate and unobtanium mainframe reverb units to wacky forgotten spring reverb tanks and tape echoes. There is a wealth of creativity waiting in the Impulse bank!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReady To Play\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur most powerful pedal ever is also our most most flexible onstage, combining intuitive operation with features professional musicians will appreciate.\u003c\/p\u003e\n\u003cp\u003eThe bright OLED screen is easy to read even in harsh conditions, and navigation is user-friendly and clear.\u003c\/p\u003e\n\u003cp\u003eYou can use the dedicated Infinite\/Freeze footswitch to create lush pads to play over, and you can also control each reverb separately in a Dual patch with your feet.\u003c\/p\u003e\n\u003cp\u003eIntegrated IR-based cab filters give you mic’d amp tone when running direct to an interface or mixer.\u003c\/p\u003e\n\u003cp\u003eFull MIDI control over every relevant parameter and extensive I\/O mean BigSky MX can easily integrate into any rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Panning\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo offer the most flexible audio routing possible, we’ve added a pan control to the output of each reverb engine.\u003c\/p\u003e\n\u003cp\u003eNow you can push Magneto off to the right so that you can hear the repeats even more distinctly in a Dual scenario, or push both machines farther to the sides to leave more space in the middle of the stereo field.\u003c\/p\u003e\n\u003cp\u003eIt can be a powerful control when used creatively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReal Spaces, Real Movement\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new MX reverb algorithms feature multi-modulation, which varies the delay times of individual reflections. 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Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverberant Bliss.\u003c\/strong\u003e\u003cbr\u003eWhether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.\u003c\/p\u003e\n\u003cp\u003eblueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful.\u003c\/p\u003e\n\u003cp\u003eIntuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll New Features.\u003c\/strong\u003e\u003cbr\u003eOur second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone Shaping\u003c\/strong\u003e\u003cbr\u003eA dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds.\u003c\/p\u003e\n\u003cp\u003eA new Mod switch allows you to select the modulation depth for each reverb type.\u003c\/p\u003e\n\u003cp\u003eA beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware Improvements\u003c\/strong\u003e\u003cbr\u003eA premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch.\u003c\/p\u003e\n\u003cp\u003eIn addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.\u003c\/p\u003e\n\u003cp\u003eAll this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003cbr\u003eFull MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB.\u003c\/p\u003e\n\u003cp\u003eAnd you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverb Types\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTake To The Skies. blueSky features three reverb types, each with their own distinct flavor for every reverb application you may need.  A high-quality vintage plate reverb gives you the smooth, crisp reverberations heard on classic records from the 60s and 70s.  A versatile room reverb places your tone in cozy small rooms, massive arenas, and everywhere in between. Our splashy spring reverb, a faithful recreation of the best vintage spring reverb circuits we could find, instantly adds character and retro mojo to any signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTighten Things Up. Dedicated tone controls make blueSky one of the most versatile reverb pedals around.  blueSky’s Low control tightens up the low end of your reverb by gradually dampening the low end frequencies, perfect for cleaning up muddy or boomy low end reverberations.  For dark, moody reverbs, use the High control to roll back the high frequencies and dial in the exact tone you’re looking for.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShimmer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBring On The Sparkle. blueSky’s unique Shimmer function can add sparkle or depth as well as expanded dimension and complexity to your tone by adding pitch shifting “in the tank.” This artifact-free pitch effect has a distinctive organic sound. blueSky’s Shimmer behaves differently depending on which reverb type is selected. Turn the Shimmer knob up when using the plate reverb to add regenerative octave-up pitch shifting. With the room reverb, shimmer regeneratively adds an octave plus a fifth. When used with the spring reverb, an intriguing octave down pitch effect with adjustable LFO speed is achieved.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdd Some Movement. There is a certain magic to the lush effects that can be created by modulating the lengths of the individual delay lines responsible for the reflections in a reverb tank. With blueSky’s Mod switch set to its light position, the delay lines are modulated to add subtle motion to the reverb tail. With the Mod switch set to deep, the signal entering the reverb tank is also modulated, in addition to the individual delay lines within the reverb tank.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReverb Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComplete Control. blueSky features a full suite of powerful and intuitive reverb controls for easily dialing in your dream reverb tone in the studio or on the stage.  A dedicated Mix control lets you determine just the right ratio of wet to dry signal, from no reverb at all, to 50\/50 at 3 o’clock, all the way to full wet, reverb-only tones.  blueSky’s Decay control determines how long you want your reverb to ring out. Go from short, snappy reverb tails, to spacious, nearly-infinite reverberations.  Pre-Delay lets you add space between your dry signal and reverb — a handy tool for maintaining clarity when using higher Mix and Decay settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimitless Possibilities.\u003c\/p\u003e\n\u003cp\u003eOur new generation of blueSky features full MIDI implementation, allowing you to control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via blueSky EXP\/MIDI jack or USB-C connection.\u003c\/p\u003e\n\u003cp\u003e300 MIDI preset locations are available for loading and saving your favorite settings. \u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW, recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue\/Buffered Bypass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eChoose Your Bypass Mode.\u003c\/p\u003e\n\u003cp\u003eblueSky lets you choose electromechanical relay switched true bypass for a 100% untouched, unprocessed signal when the pedal is bypassed (this is the default setting), or you can opt for our premium quality buffered bypass that conditions your signal to preserve its integrity by preventing the high end roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJFET Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAnalog Touch.\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel.\u003c\/p\u003e\n\u003cp\u003eExceptional touch sensitivity and responsiveness.\u003c\/p\u003e\n\u003cp\u003eblueSky feels just as good as it sounds, thanks to a high impedance ultra-low noise discrete Class A JFET preamp input. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMoving In Stereo.\u003c\/p\u003e\n\u003cp\u003eNo need to make compromises when it comes to signal routing or pedal placement — blueSky features full stereo in\/out capabilities. \u003c\/p\u003e\n\u003cp\u003eA single TRS input jack allows blueSky to keep its compact form factor while giving you the option to use a stereo input signal.\u003c\/p\u003e\n\u003cp\u003eA dedicated rear panel Input switch allows you to easily set blueSky for operation with a stereo (TRS) or mono (standard TS) input source. 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On\/Off footswitches\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003ePremium JFET analog front end\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e520MHz ARM Superscalar processor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e32-bit floating point processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e20Hz to 20kHz frequency response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Input Impedance: 1M Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Output Impedance: 100 Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized blue aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA (power supply NOT included)\u003c\/li\u003e\n\u003cli\u003e4.5” deep (11.43 cm) x 4” wide (10.16 cm) x 2.4” tall (6.1 cm)\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44445389455439,"sku":"Z120-BLS2-1","price":545.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/blueSky_TopDown_Crop-1024x1024.jpg?v=1770389047"},{"product_id":"strymon-brig-dbucket-delay-pedal","title":"Strymon BRIG dBucket Delay Pedal","description":"\u003cp\u003e\u003cstrong\u003eCertified Organic Delay\u003c\/strong\u003e\u003cbr\u003eThe delays that become true classics do not simply repeat the notes you play.\u003c\/p\u003e\n\u003cp\u003eThey do something special to each delay repeat – something that evokes a feeling, fueling the music and inspiring you.\u003c\/p\u003e\n\u003cp\u003ePlug into Brig, play a note, and you’re instantly drawn in by repeats that evolve with captivating complexity and uncommonly rich tonal characteristics.\u003c\/p\u003e\n\u003cp\u003eBrig delivers all the warmth, subtle grit and unique tactile playing experience of analog bucket brigade delays (BBDs), offering three distinct delay voicings in one highly addictive stereo pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree Delays in One\u003c\/strong\u003e\u003cbr\u003eBrig’s stunning dBucket sound generation gives you three different and meticulously crafted analog delay voicings.\u003c\/p\u003e\n\u003cp\u003eThe 3205 voice delivers gritty repeats that can morph as it feeds back, creating sounds ranging from gorgeous slapback echoes to psychedelic sci-fi effects.\u003c\/p\u003e\n\u003cp\u003eThe 3005 voice recreates a dual MN3005 BBD chip circuit running at 15V for longer delay times, higher headroom, and warm repeats with a soft, dreamlike quality.\u003c\/p\u003e\n\u003cp\u003eThe Multi voice features two cross-coupled, super-clean dBucket delay lines with golden ratio timing to create complex soundscapes and a huge stereo soundfield that remains musical and clean even while sitting on the edge of self-oscillation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeceptively Powerful\u003c\/strong\u003e\u003cbr\u003eBrig is a triumph of compact design, offering a huge amount of power and flexibility in an elegantly small form factor: Three truly distinct delay voices. Artifact-free tap tempo. Stereo operation. Straightforward responsive controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control for tempo, patch save\/recall, and more. Premium components, rugged construction, and a USB jack for controlling the pedal via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMeticulously Made.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrig’s voices are crafted with an attention to detail that encompasses not only the characteristics of the BBD chips, but also the surrounding circuitry responsible for turning those early designs into the classics they are considered today.\u003c\/p\u003e\n\u003cp\u003eCompanding, filtering, and noise reduction techniques played important parts in the final sound and dynamic response of those time-honored delay circuits, and Brig has captured them all.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagic Modulation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrig’s modulation is individually voiced for each of the three delay types, and was carefully tuned to create beautifully lush modulation at any delay time or modulation speed.\u003c\/p\u003e\n\u003cp\u003eAnd while the Multi delay voice with its dual cross-coupled ping-pong delay lines would seem the obvious go-to for creating a huge stereo field, Brig’s modulation is designed to produce awesome stereo effects with the 3205 and 3005 voices as well.\u003c\/p\u003e\n\u003cp\u003eTo reveal a hidden superpower, set the 3205 voice to its minimum 30ms delay time and turn up the modulation for sumptuous bucket brigade chorus effects.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlay The Feedback.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClassic bucket brigade delays created a unique variety of instantly recognizable, sought-after feedback effects, and Brig faithfully and organically reproduces the same sounds and experience.\u003c\/p\u003e\n\u003cp\u003eBrig’s smooth, responsive controls and remarkable dBucket sound engine invite you to crank up the repeats, twist the Time knob, adjust the filter, and get lost in vintage sci-fi psychedelia.\u003c\/p\u003e\n\u003cp\u003eBesides all the fun to be had by pushing Brig into full self-oscillation, just sitting on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing.\u003c\/p\u003e\n\u003cp\u003eAs an added bonus, each of Brig’s three delay voicings has its own distinct feedback characteristics, so you can tailor the feedback response to fit the sound you’re going for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDon’t Forget The Noise.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA whisper of gentle noise is part of the sound of bucket brigade analog delay repeats (which is traditionally shaped and controlled by companding and filtering processes in the analog domain), and all of that sonic detail and organic behavior is part of the sound of Brig.\u003c\/p\u003e\n\u003cp\u003eEspecially with the 3005 voice, the subtle noise adds a dreamlike quality to the repeats. 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And once tempo has been tapped in, you can use the Time knob to set the Tap Division for triplet, eighth, dotted eighth, or quarter note.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimitless Possibilities.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrig features full MIDI implementation and 300 presets, allowing you to control it remotely by sending MIDI commands from your controller or DAW via the EXP\/MIDI jack or USB-C connection.\u003c\/p\u003e\n\u003cp\u003eRemotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW or recall unique presets for each song on your setlist — the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose Your Bypass Mode.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrig lets you choose between electromechanical relay-switched true bypass for a 100% untouched and unprocessed signal when the pedal is not engaged (which is the default), or our premium buffered bypass, which preserves your signal’s integrity by preventing the high frequency roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Touch.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Brig feels just as good as it sounds, thanks to a high-impedance, ultra-low noise and discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoving In Stereo.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven though it might look like it’s a standard mono effect, there’s no need to make compromises when it comes to signal routing or pedal placement with Brig — it’s a stereo delay pedal with full stereo in\/out capabilities. \u003c\/p\u003e\n\u003cp\u003eEquipped with a single TRS input and TRS output jack, the pedal keeps to a compact form factor while still giving you the option to use it in stereo.\u003c\/p\u003e\n\u003cp\u003eA dedicated rear panel Input switch allows you to determine the audio routing, selecting between Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out (stereo in and out requires a TRS cable for each jack).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower To The Pedal.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn evolution in technology led by mobile phones and laptop computers now allows our pedals to perform more simultaneous processes than ever before, and with significantly less power draw.\u003c\/p\u003e\n\u003cp\u003eThat means more processing power for every sonic nuance, and less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eLow impedance TRS stereo output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003ePremium JFET analog front end\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e520MHz ARM Superscalar processor\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e32-bit floating point processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003e20Hz to 20kHz frequency response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Input Impedance: 1M Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003e\u003cspan\u003eAudio Output Impedance: 100 Ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\"\u003eTypical signal to noise ratio: 116dB\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included)\u003c\/li\u003e\n\u003cli\u003eDimensions:\n\u003cul\u003e\n\u003cli\u003e4.6” deep x 2.7” wide x 2.2” tall\u003c\/li\u003e\n\u003cli\u003e11.7 cm deep x 6.9 cm wide x 5.6 cm tall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44445399744591,"sku":"Z120-BRIG","price":375.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/Brig_TopDown_HiRes.jpg?v=1770232542"},{"product_id":"strymon-cloudburst-flexible-reverb-pedal-with-ensemble-capability","title":"Strymon CLOUDBURST Flexible Reverb Pedal With Ensemble Capability","description":"\u003cp\u003eSometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end. The simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you've ever heard out of a guitar reverb pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Ambient Bliss\u003c\/strong\u003e\u003cbr\u003eCoupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I\/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCelestial String Section\u003c\/strong\u003e\u003cbr\u003eCloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Small Rooms to Infinite Spaces\u003c\/strong\u003e\u003cbr\u003eCloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. 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Equipped with a single TRS input and TRS output jack, the pedal keeps to a compact form factor while still giving you the option to use it in stereo.\u003c\/p\u003e\n\u003cp\u003eA dedicated rear panel Input switch allows you to determine the audio routing, selecting between Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out (stereo in and out requires a TRS cable for each jack).\u003c\/p\u003e\n\u003cp\u003eARM PROCESSOR - An evolution in technology led by mobile phones and laptop computers now allows Strymon pedals to perform more simultaneous processes than ever before, and with significantly less power draw. 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Strymon feels confident that Olivera captures the true soul of the original units, from the dark repeats with unique rhythmic and decay characteristics to the unreal thick modulation that changes and morphs as the audio does. No other type of delay can do what an oil can does, and no other pedal emulation comes close to Olivera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVintage Stereo Echo Enhanced With Modern Features\u003c\/strong\u003e\u003cbr\u003eOlivera has a host of powerful features that make it easy to integrate these nostalgic sounds into your modern rig: Discrete stereo operation for independent processing of the left and right stereo inputs. A simplified control set and expression pedal and Multiswitch capability. Delay spillover for preserving repeats when the pedal is switched off. Discrete Class A JFET stereo input preamp for exceptional touch sensitivity and ideal frequency response. MIDI control of patch recall and continuous controller data. Premium components, rugged construction that can take a beating and a USB jack for performing firmware updates or controlling the pedal from your computer. 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The preamp circuit prepares the incoming audio to be processed in the most ideal way possible, optimizing for ultra-low noise operation and a flat frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStereo\u003c\/strong\u003e\u003cbr\u003eOlivera features full stereo input and output capabilities, processing incoming stereo signals independently so that you can confidently place it anywhere you like in your signal chain. There are three different input\/output routing options, which are accessible from the dedicated switch on the rear panel: Mono In\/Mono Out, Mono In\/Stereo Out, and Stereo In\/Stereo Out. 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This is Karplus-Strong synthesis at its most intuitive and captivating.\u003cbr\u003e\u003cbr\u003eKarplus-Strong is a form of delay feedback synthesis, where every tone and texture is constantly in a state of varying tension. SuperKar+ is an engagingly responsive instrument, as tiny changes in attack\/decay time and damping create an infinite variety of subtle or dramatic timbral shifts, and variable random per-note detuning can create lifelike realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeceptively Powerful, Invitingly Simple And Intuitive\u003c\/strong\u003e\u003cbr\u003eWith an interface that can be understood at a glance, the sheer amount of music you can create with a single SuperKar+ module borders on mind-blowing. It draws you in, allowing you to generate full-sounding arrangements with as much musical and timbral variation as you can imagine via CV connections. Powerful enough to be the center of endless sonic exploration, SuperKar+ delivers all of this in a compact 12HP form factor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelf-Contained Voice Module\u003c\/strong\u003e\u003cbr\u003eThe nature of Karplus-Strong synthesis means that you won't need to dedicate VCAs or amplifier envelopes to SuperKar+. Independent attack, decay and damping are included for both the Solo and Chord voices, and the module also includes an internal mixer with independent output levels for both voices, as well as multiple stereo and mono audio output modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Instruments In One: Independent Melodies and Chords\u003c\/strong\u003e\u003cbr\u003eSuperKar+ is divided into two halves or voices: a Solo Voice and a Chord Voice, both of which can be played simultaneously and independently of each other if desired. 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Longer excitations can create bowed string sounds, and when the polarity of the feedback structure is reversed a pipe or tube-like timbre can be produced instead. In SuperKar+ this method of synthesis almost seems to be alive, responding dramatically to slight changes in attack and decay times as well as damping (high frequency filtering that can dampen the string or pipe's vibration almost like a palm mute). Even clay drum textures can be found with certain settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDamp - From Brightly Ringing To Palm Muted\u003c\/strong\u003e\u003cbr\u003eThe Damp control is more than just a filter-it's part of the delay feedback structure, affecting how freely the string or tube can vibrate. In combination with the Decay control it can produce anything from bright ringing textures to darker sounds with deep, resonant bass, extending even to palm-muted effects. CV control of the Damp parameter can create very lifelike and nearly human-performed sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay - Play The Feedback\u003c\/strong\u003e\u003cbr\u003eCoupled with a short Attack time, the Decay control allows you to create super short and tight percussive sounds near its minimum setting. Sounds ring out freely at higher settings, and tuned self-oscillation is possible near the maximum setting. The interaction between Damp, Decay and Attack can create an infinite variety of intriguing results, and all three are controllable via both knob and CV.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack of the Tones\u003c\/strong\u003e\u003cbr\u003eUnlike traditional ADSR amplitude envelopes where a longer attack time means that a note takes significantly longer to fade in, with SuperKar+, longer attack times can produce bowed or blown sounds, ranging from short strokes to more sustained bowing\/blowing. Very short attack times create plucked or struck sounds. Like the Damp and Decay parameters, you can control the Attack time via knob or control voltage, with the knob acting as an offset for the CV input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSolo Voice Detune\u003c\/strong\u003e\u003cbr\u003eAvailable via CV input, the Detune feature on the Solo Voice allows for random detuning for every note that is played. This can take string-like timbres to a whole new level of realism, or add additional movement or even a haunting aspect to a patch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Tale of Two Timbres\u003c\/strong\u003e\u003cbr\u003eAt the push of a button, SuperKar+ allows you to choose an independent timbre for each voice. The green LED denotes positive feedback for string-based sounds, and the red LED denotes negative feedback for hollow-tube-based sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlide - Portamento To The People\u003c\/strong\u003e\u003cbr\u003eYou can use the variable Glide setting to slow down the transition between pitch changes, with the effect being more noticeable and pronounced the further away the notes are from one another in pitch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoubling, Octaves, Smart Harmonies And More\u003c\/strong\u003e\u003cbr\u003eWith the Harmony control you can create fat doubled notes, lower and higher octave and fifth harmonies, or choose from a selection of smart harmonies that can create advanced and expansive chords in conjunction with the Scale selection.\u003c\/p\u003e\n\u003cp\u003eEven though the Voices are labeled \"Solo\" and \"Chord,\" you can easily play chords with the Solo Voice via MIDI while using the Chord Voice to create basslines with doubling or lower octave harmonies. 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Tweak to your hearts content and save up to 200 presets of your favourite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. 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Add more outputs by connecting a Strymon Ojai or Ojai R30 (sold separately) with the 24V Out jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIns \u0026amp; Outs\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated outputs with center-negative polarity. 4 dedicated 9V outputs (500mA), 1 adjustable output offers 9V (500mA), 12V (375mA), or 18V (250mA) DC options\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e500mA per 9V output powers nearly any pedal\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDelivers a maximum of 36W\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18\" length)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIEC cable included\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to Strymon Ojai or Ojai R30 (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 individual custom transformers (one per channel) deliver clean, consistent power\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWorldwide power compatibility ensures no-hassle international touring\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnergy efficient, compact design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight and rugged anodized midnight blue aluminum chassis\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra low profile design fits under nearly any pedalboard\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44450818064463,"sku":"Z12A-R300","price":329.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/xl_75d6180c6e8cf493727278832cc4df18.webp?v=1770307421"},{"product_id":"strymon-t150-a906-9v-power-supply","title":"Strymon T150-A906 9V Power Supply","description":"\u003cp\u003eThe Strymon 9V Power Supply is compatible with all Strymon pedals and most popular 9V center negative pedals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnly uses one spot on your power strip\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eProvides up to 667mA\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLow noise operation\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAutomatically converts voltage worldwide\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44451059105871,"sku":"T150-A906","price":27.2,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/21DF46ED-8C99-4EAD-9FB1-C83B3AA26822_-removebg-preview.png?v=1770313581"},{"product_id":"strymon-pch-x1-active-di-isolator","title":"Strymon PCH X1 Active DI Isolator","description":"\u003cp\u003e\u003cstrong\u003eA Real Transformation\u003c\/strong\u003e\u003cbr\u003ePutting a typical direct box on a high quality analyzer can reveal all manner of hidden issues - units sold as premium often exhibit audio behavior that is anything but, especially in the low frequency region or in measured total harmonic distortion. If you disregard all of the technical mumbo jumbo it just boils down to this: the audio running through your direct box is often being treated poorly.\u003c\/p\u003e\n\u003cp\u003eOur phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different. Designed to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is. Other direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80KHz) within a half of a db, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature Rich\u003c\/strong\u003e\u003cbr\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators. Housed in a bulletproof 3mm extruded aluminum chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behavior are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation. Each unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything.\u003c\/p\u003e\n\u003cp\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnology \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom audio transformer per channel\u003c\/li\u003e\n\u003cli\u003eRuns on phantom power (each channel requires power)\u003c\/li\u003e\n\u003cli\u003eGround Lift Switch per channel\u003c\/li\u003e\n\u003cli\u003eThree-position high pass filter on each input\u003c\/li\u003e\n\u003cli\u003eDefeatable Sum feature merges the Left and Right inputs and sends them to the Left outputs\u003c\/li\u003e\n\u003cli\u003eExtremely flat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low total harmonic distortion (THD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThick 3mm extruded aluminum shell with 5mm ribs for bulletproof protection\u003c\/li\u003e\n\u003cli\u003eShell awning design protects switches while allowing easy access\u003c\/li\u003e\n\u003cli\u003eHigh quality long life jacks and switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance: 2 MΩ (For PCH X2, when SUM enabled: 4 kΩ)\u003c\/li\u003e\n\u003cli\u003eMax Input Level: +20.5dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Out Output Impedance: 100 Ω\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGain Relative to Inputs: -20dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +0.5dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise Floor: -123 dBu (10-22kHz no A-Weight)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25dB, 20Hz - 30kHz (13.6KΩ load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e+\/- 0.5dB, 10Hz - 80kHz (13.6KΩ load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e+\/- 0.5dB, 20Hz - 20kHz (600Ω load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency Response (HPF 80Hz, 240Hz)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1kHz: 0.0007% (-10dBu out)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e100Hz: 0.0035% (-10dBu out)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e50Hz: 0.0125% (-10dBu out)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThru\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Relative to Inputs: +0dB, (For PCH X2, when SUM enabled: -6dB)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 0Ω, (For PCH X2, when SUM enabled: 1 kΩ)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower Requirements \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e5mA @ +48VDC (per channel)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions X1 \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eL – 3.66″ (93mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eW – 1.97″ (50mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eH -1.54″ (39mm)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions X2 \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eL – 3.66″ (93mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eW – 4.20″ (107mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eH -1.54″ (39mm)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls and Routing (the + hashmarks) \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIn -  1\/4\" unbalanced, TS, high-impedance input(s). Connect guitar, bass, keyboard, amp+cab simulation pedal, drum machine, modeler or any audio source needing to be balanced.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThru - 1\/4\" unbalanced, Left and Right, TS output(s). Passes your unbuffered input source(s) to amplifiers, effects, or other devices.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Out - Balanced, low impedance output(s). Connect to a mixing console or other low \u003cbr\u003eimpedance gear.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Sum - Engage SUM to merge the stereo inputs and feed them to both the Left Thru and \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLEFT XLR output (the Right output will be muted to let you know Sum is engaged).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGround Lift - Engage to lift the ground if you experience hum on the XLR Out(s).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariable HPF - Allows 6db\/octave filtering of low frequencies below either 80Hz or 240Hz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhase Reverse - reverses the polarity of the Left channel XLR output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44533111259215,"sku":"Z120-PCHX1","price":285.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/PCHX1_Press_TopDown_HQ.jpg?v=1772461259"},{"product_id":"strymon-pch-x2-active-di-isolator","title":"Strymon PCH X2 Active DI Isolator","description":"\u003cp\u003e\u003cstrong\u003eA Real Transformation\u003c\/strong\u003e\u003cbr\u003ePutting a typical direct box on a high quality analyzer can reveal all manner of hidden issues - units sold as premium often exhibit audio behavior that is anything but, especially in the low frequency region or in measured total harmonic distortion. If you disregard all of the technical mumbo jumbo it just boils down to this: the audio running through your direct box is often being treated poorly.\u003c\/p\u003e\n\u003cp\u003eOur phantom-powered and transformer-isolated PCH X1 and X2 active direct interfaces are different. Designed to be pristine-sounding before any other feature, these are units that you can trust implicitly to handle your audio, no matter what kind of signal it is. Other direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 and X2 remain flat from far lower than that (10Hz) to well above what dogs can hear (80KHz) within a half of a db, as well as remaining clean and quiet throughout that range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature Rich\u003c\/strong\u003e\u003cbr\u003eAlong with pristine audio, PCH X1 and X2 were designed with a host of real-world features that make them ideal as direct interfaces and line isolators. Housed in a bulletproof 3mm extruded aluminum chassis for protection, it doesn’t matter if you’re using them on a loud stage or in a quiet world-class recording studio, X1 and X2 balance your audio perfectly and they’re small enough to fit just about anywhere.\u003c\/p\u003e\n\u003cp\u003eX2 is really two X1’s in the same enclosure, so their audio performance and behavior are largely identical. Each channel’s audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation. Each unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003c\/p\u003e\n\u003cp\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything.\u003c\/p\u003e\n\u003cp\u003eBoth the X1 and X2 feature a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnology \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCustom audio transformer per channel\u003c\/li\u003e\n\u003cli\u003eRuns on phantom power (each channel requires power)\u003c\/li\u003e\n\u003cli\u003eGround Lift Switch per channel\u003c\/li\u003e\n\u003cli\u003eThree-position high pass filter on each input\u003c\/li\u003e\n\u003cli\u003eDefeatable Sum feature merges the Left and Right inputs and sends them to the Left outputs\u003c\/li\u003e\n\u003cli\u003eExtremely flat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low total harmonic distortion (THD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThick 3mm extruded aluminum shell with 5mm ribs for bulletproof protection\u003c\/li\u003e\n\u003cli\u003eShell awning design protects switches while allowing easy access\u003c\/li\u003e\n\u003cli\u003eHigh quality long life jacks and switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance: 2 MΩ (For PCH X2, when SUM enabled: 4 kΩ)\u003c\/li\u003e\n\u003cli\u003eMax Input Level: +20.5dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Out Output Impedance: 100 Ω\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGain Relative to Inputs: -20dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: +0.5dBu\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNoise Floor: -123 dBu (10-22kHz no A-Weight)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- 0.25dB, 20Hz - 30kHz (13.6KΩ load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e+\/- 0.5dB, 10Hz - 80kHz (13.6KΩ load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e+\/- 0.5dB, 20Hz - 20kHz (600Ω load, HPF off)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFrequency Response (HPF 80Hz, 240Hz)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1kHz: 0.0007% (-10dBu out)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e100Hz: 0.0035% (-10dBu out)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e50Hz: 0.0125% (-10dBu out)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThru\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain Relative to Inputs: +0dB, (For PCH X2, when SUM enabled: -6dB)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 0Ω, (For PCH X2, when SUM enabled: 1 kΩ)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower Requirements \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e5mA @ +48VDC (per channel)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions X1 \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eL – 3.66″ (93mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eW – 1.97″ (50mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eH -1.54″ (39mm)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions X2 \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eL – 3.66″ (93mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eW – 4.20″ (107mm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eH -1.54″ (39mm)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControls and Routing (the + hashmarks) \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIn -  1\/4\" unbalanced, TS, high-impedance input(s). Connect guitar, bass, keyboard, amp+cab simulation pedal, drum machine, modeler or any audio source needing to be balanced.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThru - 1\/4\" unbalanced, Left and Right, TS output(s). Passes your unbuffered input source(s) to amplifiers, effects, or other devices.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eXLR Out - Balanced, low impedance output(s). Connect to a mixing console or other low \u003cbr\u003eimpedance gear.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Sum - Engage SUM to merge the stereo inputs and feed them to both the Left Thru and \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLEFT XLR output (the Right output will be muted to let you know Sum is engaged).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eGround Lift - Engage to lift the ground if you experience hum on the XLR Out(s).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariable HPF - Allows 6db\/octave filtering of low frequencies below either 80Hz or 240Hz\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhase Reverse - reverses the polarity of the Left channel XLR output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44533122039887,"sku":"Z120-PCHX2","price":429.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/PCHX2_Press_TopDown_HQ.png?v=1772462510"},{"product_id":"strymon-cloudburst-flexible-reverb-pedal-with-ensemble-capability-midnight-edition","title":"Strymon CLOUDBURST Flexible Reverb Pedal With Ensemble Capability (Midnight Edition)","description":"\u003cp\u003eSometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end. The simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you've ever heard out of a guitar reverb pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInstant Ambient Bliss\u003c\/strong\u003e\u003cbr\u003eCoupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I\/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCelestial String Section\u003c\/strong\u003e\u003cbr\u003eCloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom Small Rooms to Infinite Spaces\u003c\/strong\u003e\u003cbr\u003eCloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact With No Compromises\u003c\/strong\u003e\u003cbr\u003eAll of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds Strymon has ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMIDI - Cloudburst features full MIDI implementation and 300 presets, allowing you to control it remotely by sending MIDI commands from your controller or DAW via the EXP\/MIDI jack or USB-C connection. Remotely bypass or engage the pedal, automate decay time or other knob adjustments in your DAW or recall unique presets for each song on your setlist - the possibilities with MIDI are limitless.\u003c\/p\u003e\n\u003cp\u003eTRUE\/BUFFERED BYPASS - Cloudburst lets you choose between electromechanical relay-switched true bypass for a 100% untouched and unprocessed signal when the pedal is not engaged (which is the default), or premium buffered bypass, which preserves your signal's integrity by preventing the high frequency roll-off that can happen due to longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET INPUT - Uncompromised dynamics and feel. Exceptional touch sensitivity and responsiveness. Cloudburst feels just as good as it sounds, thanks to a high-impedance, ultra-low noise and discrete Class A JFET preamp input.\u003c\/p\u003e\n\u003cp\u003eMOVING IN STEREO - Even though it might look like it's a standard mono effect, there's no need to make compromises when it comes to signal routing or pedal placement with Cloudburst - it's a stereo reverb pedal with full stereo in\/out capabilities. Equipped with a single TRS input and TRS output jack, the pedal keeps to a compact form factor while still giving you the option to use it in stereo.\u003c\/p\u003e\n\u003cp\u003eA dedicated rear panel Input switch allows you to determine the audio routing, selecting between Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out (stereo in and out requires a TRS cable for each jack).\u003c\/p\u003e\n\u003cp\u003eARM PROCESSOR - An evolution in technology led by mobile phones and laptop computers now allows Strymon pedals to perform more simultaneous processes than ever before, and with significantly less power draw. That means more processing power for every sonic nuance, and less power consumption on your pedal board.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLow impedance TRS stereo output\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch,  MultiSwitch Plus, or TRS MIDI connection\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e32-bit floating point processing\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Output Impedance: 100 Ohm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTypical signal to noise ratio: 116dB\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized aluminum chassis\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDimensions (D x W x H): 4.6\" x 2.7\" x 2.5\" (11.7 cm x 6.9 cm x 6.4 cm)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":44923650965583,"sku":"Z120-CBME","price":399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/Cloudburst_ME_TopDown_Trans.png?v=1773928920"},{"product_id":"strymon-fairfax-class-a-output-stage-drive-amplifier-pedal","title":"Strymon FAIRFAX Class A Output Stage Drive Amplifier Pedal","description":"\u003cp\u003eMeet the Strymon Fairfax, a 100% analog miniature amplifier disguised as a drive pedal - complete with a miniaturized tube preamp, Class A power amp, and output‑transformer emulation for unbelievably tube‑like feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMiniature Marvel\u003c\/strong\u003e\u003cbr\u003eFairfax isn't really a distortion pedal. Instead, it's a complete miniature amplifier in 100% analog form, based upon a little-known device from the 60's that powered a number of classic rock anthems.\u003c\/p\u003e\n\u003cp\u003eThe sound and feel is extremely tube-like, with added harmonics and saturation coming from a clever circuit that emulates the critical behavior of a tube amp's output transformer. It's a drive pedal that feels completely natural to play, retains the natural sound of your guitar, and glues notes together in a truly organic way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Than A Drive Pedal\u003c\/strong\u003e\u003cbr\u003eFairfax began as an engineering experiment, initially inspired by the original Garnet Amplifiers Herzog® tube drive unit designed for Randy Bachman in 1965. Our analog guys decided to try and recreate all of the critical elements of a custom Champ-like tube amp circuit fully in the analog domain, but small enough to fit into a pedal enclosure (so it couldn't use real tubes or an output transformer).\u003c\/p\u003e\n\u003cp\u003eThe final design features a cleverly miniaturized tube preamp, Class A power amp and an ingenious custom circuit that emulates the saturation characteristics of the output transformer (which is absolutely vital to get the sound right).\u003c\/p\u003e\n\u003cp\u003eThere's even a variable Sag circuit that behaves just like a real tube amp does. At low Sag values the behavior is mild and only slightly compressed, and at max values the JFETs can go crazy and unbias - which gates the signal - leading to spitting and chortling sounds more commonly associated with fuzzes.\u003c\/p\u003e\n\u003cp\u003eIn order for Fairfax to behave like a real amplifier it needed a massive amount of operating voltage, so a transformer-based power supply converts the 9VDC input voltage to 40V internally. This gives Fairfax the power that it needs for high headroom and amp-like feel, allowing for a wide range of tones.\u003c\/p\u003e\n\u003cp\u003eAt lower Gain settings Fairfax can be sweet, gently pushing the input to your amp with additional harmonic richness, a touch of saturation and a flat frequency response. At higher Gain levels the sound becomes fully saturated, and that large range of gain on tap allows Fairfax to be used in nearly any setup imaginable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries A\u003c\/strong\u003e\u003cbr\u003eKiller code only sounds killer when it's hosted inside of an ideal analog environment, and even though we're primarily known for our DSP prowess, our stuff wouldn't sound the way that it does without our strong analog team.\u003c\/p\u003e\n\u003cp\u003eThe analog guys are always coming up with interesting designs, so we've launched the 'Series A' line of pure analog pedals to give them an outlet, with Fairfax being the first in the line.\u003c\/p\u003e\n\u003cp\u003eThe designs you'll be seeing in 'Series A' are intended to offer something different from traditional Strymon offerings, with no MIDI, USB, firmware or digital processing. These will be pedals that are unabashedly analog, which means it could get really interesting! Keep an eye out for more 'Series A' pedals as we go forward.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Design\u003c\/strong\u003e\u003cbr\u003eBecause it's based upon a tube amp design, Fairfax plays well with all different types of amplifiers and amp modelers. The creamy sustain brings something new to both clean and naturally dirty amplifiers.\u003c\/p\u003e\n\u003cp\u003eWe've even included an internal jumper that determines the power up state, so if you plan on using Fairfax with a pedal loop switcher or rack drawer system you can choose to have it turn on automatically when powered up, which is a lifesaver on a dark stage or with a complex setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003cbr\u003eThe Level Control sets the output level for the pedal. 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Ten years ago Gregg built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when we needed a fuzz to pair with our killer UltraViolet vibe, that rediscovery became the catalyst for the creation of our new Series A line of all-analog pedals.\u003c\/p\u003e\n\u003cp\u003eNow we’re pleased to announce the arrival of Canoga, a tweaked version of a vintage silicon FuzzFace® based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt’s All About The Sound\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCanoga is a simple pedal to use - there’s one knob for Drive and one for output Level - but the interaction between the guitar and Canoga’s input is critical, as is the interaction between it and your amp. As with many fuzz pedals, Canoga works brilliantly plugged into an amp with a bit of hair on the tone already, similar to how Jimi Hendrix and other guitar greats of the 60s and 70s ran their rigs.\u003c\/p\u003e\n\u003cp\u003eAdditional versatility comes from the interaction between your guitar’s volume knob and the pedal’s input. Traditionally, unbuffered fuzz pedals like to be connected directly to your guitar, so that the circuitry can “see” your guitar’s pickups and volume pot. Full up on both of Canoga’s pots and your guitar volume pot gets you the full fuzz experience, and rolling back the volume on the guitar opens up a new world of semi-clean blues, rock, Americana and pop sounds. The rolled back sound stays clear in the high frequencies and doesn’t get muddy, so you might find that Canoga allows you to convincingly play riffs that you would normally employ a distortion pedal for, not a fuzz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSERIES A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKiller code only sounds killer when it’s hosted inside of an ideal analog environment, and even though we’re primarily known for our DSP prowess, our stuff wouldn’t sound the way that it does without our strong analog team.\u003c\/p\u003e\n\u003cp\u003eThe analog guys are always coming up with interesting designs, so we’ve launched the ‘Series A’ line of pure analog pedals to give them an outlet, and Canoga joins Fairfax as the second pedal in the series.\u003cbr\u003e \u003cbr\u003eThe designs you’ll be seeing in ‘Series A’ are intended to offer something different from traditional Strymon offerings, with no MIDI, USB, firmware or digital processing. These will be pedals that are unabashedly analog, which means it could get really interesting! Keep an eye out for more ‘Series A’ pedals as we go forward.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls and Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDrive - Controls the amount of distortion\u003c\/li\u003e\n\u003cli\u003eLevel - Controls the output level\u003c\/li\u003e\n\u003cli\u003eInput - High impedance audio input\u003c\/li\u003e\n\u003cli\u003eOutput - Low impedance audio output\u003c\/li\u003e\n\u003cli\u003e9VDC - Use a power supply or an adapter with the following rating: 9VDC, center negative, 50mA minimum (sold separately). \u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eIMPORTANT! Voltages higher than 9VDC can damage the pedal.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTweaked version of a vintage silicon FuzzFace® style fuzz pedal\u003c\/li\u003e\n\u003cli\u003eHigh frequency response stays clear when the guitar’s volume is rolled back\u003c\/li\u003e\n\u003cli\u003eWide range of gain for different styles of music\u003c\/li\u003e\n\u003cli\u003eInternal jumper sets the initial power up state, either bypassed or engaged\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100% analog circuit\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eMono In\/Out\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.53” deep x 2.83” wide x 2.33” tall (11.51 cm x 7.19 cm x 5.92 cm)\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9VDC center negative, with a minimum of 50mA of current (sold separately)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":45089158660175,"sku":"Z120-CNGA","price":285.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/Canoga_PressPhoto_Top_HQ.png?v=1776191386"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/collections\/Strymon.webp?v=1770227878","url":"https:\/\/shop.musicredone.com\/collections\/strymon.oembed?page=2","provider":"RedOne Music Canada","version":"1.0","type":"link"}