{"title":"Preamps","description":"megamenu","products":[{"product_id":"presonus-studio-channel","title":"PreSonus STUDIO CHANNEL Vacuum Tube Channel Strip","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cp class=\"ov-desc\"\u003eThe Presonus Studio Channel is a channel strip that features a tube preamp, a VCA compressor, and a 3-band parametric EQ. The tube preamp section features two knobs: Gain and Tube Drive. This allows you to adjust the amount of signal that hits the tube circuitry, opening up a wide range of sonic options. The VCA compressor section is well-suited to help all different kinds of audio sit nicely in a mix, whether it's percussion with fast transients, or smooth and silky vocals. The parametric EQ features a custom amplifier with a gain control on each of the 3 bands, with a variable Q knob on the mid frequency.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eClass A Vacuum Tube Preamp\u003c\/strong\u003e\u003c\/dt\u003e\nThe Studio Channel features a high voltage 12AX7 tube with both Gain and Tube Drive controls, giving you the ability to dial in a variety of different tones.\u003c\/dl\u003e\n\u003cp\u003e\u003cstrong\u003eVU Meter\u003c\/strong\u003e\u003cbr\u003eThe illuminated VU meter displays both output level and gain reduction.\u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt class=\"featureTitle\"\u003e\u003cstrong\u003eA Host of Useful Tools and Controls\u003c\/strong\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003e80Hz High Pass Filter\u003c\/li\u003e\n\u003cli\u003e20dB Pad\u003c\/li\u003e\n\u003cli\u003ePhase Invert\u003c\/li\u003e\n\u003cli\u003eMake Up Gain, Auto, and Soft (Compressor Section)\u003c\/li\u003e\n\u003cli\u003eLow Noise Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":17078805921862,"sku":"STUDIO-CHANNEL","price":549.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/presonusstudiochannel.webp?v=1689104426"},{"product_id":"presonus-tubepre-v2","title":"PreSonus TUBEPRE V2 Mono Tube Preamp","description":"\u003cp\u003eThe TubePre V2 from PreSonus is a fully professional tube preamp with a dual-servo (no capacitors) gain stage that allows for boosting the program signal to high levels without significantly increasing the background noise. Discrete components and high-voltage operation provide wide dynamic range without sacrificing detail. The preamp also serves as a direct box (DI) for guitars and basses and it's small enough to carry almost anywhere.\u003c\/p\u003e\n\u003cp\u003eHoused in a rugged case, the unit features an XMAX Class A solid-state preamp followed in the signal path by a 12AX7 vacuum-tube output stage. Also included are high-pass filter, phantom power for condenser microphones, a phase reverse switch, and a backlit VU meter. The rear panel contains an unbalanced 1\/4\" instrument and a balanced XLR microphone input, along with unbalanced 1\/4\" and balanced XLR line outputs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMono, tube based microphone preamp with DI functionality\u003c\/li\u003e\n\u003cli\u003eXMAX Class A preamp input stage\u003c\/li\u003e\n\u003cli\u003e12AX7 dual-servo vacuum tube output stage\u003c\/li\u003e\n\u003cli\u003eInput Gain control\u003c\/li\u003e\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\u003cli\u003e80Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003e-20dB pad\u003c\/li\u003e\n\u003cli\u003eInstrument input select\u003c\/li\u003e\n\u003cli\u003ePhase reverse switch\u003c\/li\u003e\n\u003cli\u003eBacklit VU meter\u003c\/li\u003e\n\u003cli\u003eClip LED\u003c\/li\u003e\n\u003cli\u003ePowered via an external (included) 12VDC, 1A power supply\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Presonus","offers":[{"title":"Default Title","offer_id":17078806151238,"sku":"TUBEPRE-V2","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/tubepre_v2.jpg?v=1583953286"},{"product_id":"dbx-286sv","title":"DBX 286SV Mic Preamp \/ Channel Strip","description":"\u003cp\u003eMicrophone Processor Single channel studio quality mic preamp plus five dynamics processors which offers: internal power supply. +48V phantom power, and frequency controllable de‐esser, as well as a premium pre‐amp section and expanded metering 2‐knob compression, spectral enhancer and an expander\/gate make the 286A vital in any environment.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"features\"\u003eStudio quality Mic Preamp\/Channel Strip Processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eClassic dbx Compression puts great sound within easy reach\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFrequency tunable De-Esser reduces sibilance and high frequency distortion\u003c\/li\u003e\n\u003cli class=\"features\"\u003eEnhancer increases the detail and definition of the high and low frequencies\u003c\/li\u003e\n\u003cli class=\"features\"\u003eProgram adaptive Expander\/Gate\u003c\/li\u003e\n\u003cli class=\"features\"\u003eInsert jack allows you to add an external processor\u003c\/li\u003e\n\u003cli class=\"features\"\u003eFull compliment of meters and status LEDs\u003c\/li\u003e\n\u003cli class=\"features\"\u003e+48V Phantom Power\u003c\/li\u003e\n\u003cli class=\"features\"\u003ePrecision detented controls\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":17078811983942,"sku":"DBX286SV","price":469.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/286s.jpg?v=1583953917"},{"product_id":"rme-micstasy","title":"RME Micstasy 8 Channel Microphone Preamp","description":"\u003cp\u003e\u003cstrong\u003eMicstasy\u003c\/strong\u003e is an 8-Channel hi-end mic\/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic\/Line In to Line Out) and digital (Mic\/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via MIDI (also MIDI over MADI).\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003eThe signals amplified by the Micstasy are available at the analog outputs for passing them on, making an expensive splitter box on stage obsolete. All functions can be remote controlled via MIDI and MIDI over MADI, allowing the device to be placed near the microphones, ensuring highest sound quality. Adding the optional MADI Card results in even more options. The I64 MADI Card provides serial pass-through capability from one Micstasy to the next (up to 8). All up to 64 audio signals are then available at the last device on one single line. Such a way of cascading is also possible between Micstasy and ADI-8 QS.\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverview of the Micstasy's most important features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003e8 balanced XLR mic\/line inputs with 85 dB gain range\u003c\/li\u003e\n\u003cli\u003eAnalog input level from -56.5 dBu up to +30 dBu\u003c\/li\u003e\n\u003cli\u003eHigh-end circuitry with 4 relays per channel, super low-noise microphone front-end\u003c\/li\u003e\n\u003cli\u003eNear click-free gain changes in steps of 0.5 dB\u003c\/li\u003e\n\u003cli\u003eLarge frequency range (200 kHz) with special EMI input filtering\u003c\/li\u003e\n\u003cli\u003e8 balanced TRS line \/ instrument inputs with Hi-Z option\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR line outputs, maximum level +27 dBu\u003c\/li\u003e\n\u003cli\u003e4 x AES\/EBU Out via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e2 x ADAT Out, 8 channels @ 96 kHz (SMUX and SMUX4)\u003c\/li\u003e\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) with serial cascading and digital return path\u003c\/li\u003e\n\u003cli\u003eSymmetrical hi-pass (Lo Cut) with super-low THD, 18 dB\/oct\u003c\/li\u003e\n\u003cli\u003eLED level meter with 13 LEDs per channel\u003c\/li\u003e\n\u003cli\u003eM\/S de-\/encoding for the digital output\u003c\/li\u003e\n\u003cli\u003eAutoSet: Automatic gain reduction with multiple linking\u003c\/li\u003e\n\u003cli\u003eCurrent state can be stored to 8 user presets\u003c\/li\u003e\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17078823059526,"sku":"MIC1","price":6850.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/micstasy.jpg?v=1583947936"},{"product_id":"rme-octamic-ii","title":"RME Octamic II Microphoneline Preamp","description":"\u003cp\u003eThe OctaMic II provides 8-Channel 192 kHz \/ 24 bit AD conversion with eight hi-class microphone and line pre-amplification channels, featuring a combination of sophisticated components and approved RME technology.\u003c\/p\u003e\n\u003cp\u003eLowest distortion, excellent signal to noise ratio and perfectly linear frequency response transmit and amplify the microphone signals truly unchanged.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe OctaMic II includes some significant enhancements compared to the OctaMic:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003eThe balanced TRS inputs of the Neutrik Combo XLR jacks are phantom power-free and can be operated as real line inputs too. The improved design of the input circuits allows for a maximum input level of +21 dBu with a convenient gain range from 6 dB up to 60 dB.\u003c\/li\u003e\n\u003cli\u003eImproved signal to noise ratio (SNR) ADC 107.5 dB\u003c\/li\u003e\n\u003cli\u003eImproved THD, especially at higher gains\u003c\/li\u003e\n\u003cli\u003eOptimised heat dissipation by a new and larger housing with improved convection\u003c\/li\u003e\n\u003cli\u003eInternal wide range power supply with line filter, insensitive to voltage fluctuations\u003c\/li\u003e\n\u003cli\u003eSuper-stable, short circuit proof 48 V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17078823157830,"sku":"OCTAMIC II","price":2799.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/octamic_ii.jpg?v=1583947956"},{"product_id":"rme-quadmic-ii","title":"RME QuadMic II 4-channel Mic Preamp","description":"\u003cp\u003eExcellent signal\/noise ratio, lowest harmonic distortions and wide gain range make the QuadMic II a first choice for superior studio recordings. QuadMic II is battery powerable and thus excellent for remote applications.\u003c\/p\u003e\n\u003cp\u003eEach of the 4 channels features balanced microphone and line inputs with Neutrik XLR\/TRS combo jacks, switchable 48V phantom power, phase reversal and a low cut filter.\u003c\/p\u003e\n\u003cp\u003eAll channels are also equipped with LEDs for signal presence, clip state, and activated phantom power. The input amplification can be set from 6 to 60 dB. The balanced line level output signals are provided on the rear of the unit as four 6.3 mm (1\/4\") TRS jacks.\u003c\/p\u003e\n\u003cp\u003eA maximum balanced and unbalanced output level of +21 dBu makes the QuadMic II fully compatible to RME's converters and interface series having analog inputs.\u003c\/p\u003e\n\u003cp\u003eThe QuadMic II complements any RME system with line inputs by adding external microphone inputs. Since the unit runs on supply voltages from 9 to 18V DC, it can operate on virtually any power source available, including batteries and rechargeable batteries.\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower supply:\u003c\/strong\u003e Operates with voltages ranging from 9-18V DC \u003c\/li\u003e\n\u003cli\u003eOperation with practically any DC power source, including (rechargeable) batteries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-quality switching power supply\u003c\/strong\u003e included, for worldwide operation at 100-240 Volt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. input level XLR:\u003c\/strong\u003e +15 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. input level TRS:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMax. output level:\u003c\/strong\u003e +21 dBu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSNR:\u003c\/strong\u003e 129 dB EIN @ 150 Ohm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTHD: \u003c\/strong\u003e\u0026lt; 0.0005% @ 30 dB Gain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWide frequency response\u003c\/strong\u003e with special RF input filter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 5 Hz - 200 kHz, - 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHi-pass filter\u003c\/strong\u003e at 80 Hz, 18 dB\/oct\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"clear\"\u003e \u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17078823190598,"sku":"QUADII","price":1120.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/rmequadmicii.webp?v=1689104385"},{"product_id":"focusrite-isa-one","title":"Focusrite ISA ONE ANALOGUE Classic Mic Pre With Independent DI","description":"\u003cp\u003eAt the heart of the ISA range is the microphone preamplifier with its Lundahl input transformer — essentially the same circuit, based on the original ISA110, that has been used for 40 years in successive Focusrite designs.\u003c\/p\u003e\n\u003cp\u003eThe input transformer imparts a special character to the sound that can't be truly emulated in any other way: inseparable from the microphone itself, the transformer input stage is ideal for use with classic microphones. But this mic pre has a twist the original didn't have, which makes it far more versatile: four carefully-selected impedances allow you to match microphone to input in different ways. Bring out the character of a classic mic or emphasise a special feature, or go for a totally transparent, modern sound — it's up to you.\u003c\/p\u003e\n\u003cp\u003eWhether you're an artist, engineer or producer, you'll appreciate the versatility of the ISA One, with its front-panel DI input. The DI includes low\/high impedance switching and an amplifier output, and its own feed to the optional A\/D converter and separate rear-panel XLR output.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eISA series transformer-based preamplifier — Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.\u003c\/li\u003e\n\u003cli\u003eFlexible independent DI channel — ISA One is ideal for both engineers and demanding performers alike, featuring front-panel inputs with High (2.4 MΩ) and Low (470 kΩ) impedance settings, independent gain control, an output for routing to an amp, an independent XLR output on the rear, and routing to the optional A-D converter.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance — Choose one of four carefully selected input impedances, including the original ISA110 setting, to suit any microphone.\u003c\/li\u003e\n\u003cli\u003eHeadphone output with volume control — ISA One can feed either a sum of the two input to the headphones output, or an external stereo cue mix (such as a stereo feed from an interface) via two TRS jack inputs on the rear of the unit.\u003c\/li\u003e\n\u003cli\u003eDedicated insert point — Allows you to place extra processing between the preamplifier or DI and the optional converter, such as an EQ or compressor.\u003c\/li\u003e\n\u003cli\u003eOptional stereo 192kHz A-D converter — You can chose to upgrade your unit with an optional digital card that delivers the best A-D performance in its class (dynamic range of 118dB). Alternatively, the ISA One Digital comes with the A-D converter as standard.\u003c\/li\u003e\n\u003cli\u003eLundahl LL1538 Input Transformer — The original mic transformer used in the original Red modules helps to provide the unique sound and performance of this groundbreaking design.\u003c\/li\u003e\n\u003cli\u003eBacklit VU meter with variable calibration — ISA One has a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-0\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eMic input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Mic)\u003c\/span\u003e\u003cspan\u003e0dB to 60dB in 10dB steps 20 dB of variable gain\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEIN (Mic)\u003c\/span\u003e\u003cspan\u003e-126dB measured at 60dB of gain with 150 Ohm terminating impedance and 22Hz\/22kHz band-pass filter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise (Mic)\u003c\/span\u003e\u003cspan\u003eNoise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter-97 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSignal-To-Noise Ratio (Mic)\u003c\/span\u003e\u003cspan\u003e106 dB relative to max headroom (9dBu)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (Mic)\u003c\/span\u003e\u003cspan\u003eAt minimum gain (0 dB)-0.5dB down at 10Hz and -3dB down at 125kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCMRR (Mic)\u003c\/span\u003e\u003cspan\u003e98dB (Channel 1, 1kHz, maximum gain with 24 dBu input)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCrosstalk Channel To Channel (Mic)\u003c\/span\u003e\u003cspan\u003eWith 10dB@1kHz input to chA, chB output =104dBrA. With 10dB@10kHz input to chA, chB output = 84dBrA\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-1\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eLine input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Line)\u003c\/span\u003e\u003cspan\u003e-20dB to 10dB in 10dB steps 20 dB of variable gain\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance (Line)\u003c\/span\u003e\u003cspan\u003e10 kO from 10 Hz to 200 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTotal Harmonic Distortion Noise (Line)\u003c\/span\u003e\u003cspan\u003eMeasured with a 0 dBu input signal, and a 22 Hz-22 kHz band pass filter0.0001\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (Line)\u003c\/span\u003e\u003cspan\u003eAt unity gain (0 dB)-0.3dB down at 10Hz and -3dB down at 200kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-2\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eInstrument input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Instrument)\u003c\/span\u003e\u003cspan\u003e10dB to 40dB continuously variable\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance (Instrument)\u003c\/span\u003e\u003cspan\u003eHigh = greater than 1M Low =greater than 300k\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTHD (Instrument)\u003c\/span\u003e\u003cspan\u003eAt minimum gain ( 10)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-3\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eRoll-Off\u003c\/span\u003e\u003cspan\u003e18 dB per octave (3 pole filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency\u003c\/span\u003e\u003cspan\u003eFixed 75Hz measured at the 3dB down point\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17078823583814,"sku":"ISA-ONE-ANALOGUE","price":899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/isa-one-front-2400-2400__80385.webp?v=1778514748"},{"product_id":"focusrite-isa-two","title":"Focusrite ISA TWO Classic Dual Mono Transformer-Based Microphone Preamplifier","description":"\u003cp\u003eFocusrite's ISA Two brings together a totally independent pair of legendary ISA microphone preamps from the original ISA 110 module, combining the best of traditional solid-state electronics with the original input transformer specified by Rupert Neve — the Lundahl LL1538. Two is a nice round number — ideal for recording, say, a vocal and an instrument, or a stereo piano. But though you may only need two mic pres, you owe it to your craft to choose the best. (And if you need more, we offer ISA 428 Mk II 4-channel and ISA 828 8-channel units too.)\u003c\/p\u003e\n\u003cp\u003eWe've made one little adjustment to the mic pre. The original ISA 110 had a single input impedance that was ideal for the mics of the time. We've added three more, allowing you to get the very best out of any microphone, vintage or modern. Give a vintage mic the input it expects to get a traditional, warm sound. Pair the ISA Two with modern microphones and get the most transparent sound imaginable. Or experiment and pull out the inner character of any microphone you care to try. Couple that with up to 80dB of gain and you can be ready for anything.\u003c\/p\u003e\n\u003cp\u003eIn addition to the mic pres, there are front panel instrument inputs for instant access, along with rear-panel line ins. There's also a balanced insert point on the rear panel, actuated with a front-panel button so you can insert the EQ, dynamics or other processors you need. Add to that the user-calibrated 8-LED metering and variable cutoff high-pass filter and you know that with the ISA Two you'll have everything you need to get the highest quality sound into your recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLundahl LL1538 mic input transformer — Rupert Neve originally chose the Lundahl LL1538 to be the input transformer on the ISA 110. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre. Rupert Neve also perfected the Zobel network found in the ISA circuit; something which takes a lot of knowledge and a golden set of ears.\u003c\/li\u003e\n\u003cli\u003eUp to 80 dB of gain — ISA Two offers up to 80 dB of clean, distortion-free gain. The much heralded ISA topology also ensures low noise, even at the highest gain levels. The transformer alone supplies 20 dB of gain, while ISA's input stage offers up to 60 dB in addition, giving an astonishing 80 dB of maximum gain on the microphone input.\u003c\/li\u003e\n\u003cli\u003eVariable input impedance — Four choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, even if it's a vintage type, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.\u003c\/li\u003e\n\u003cli\u003eUser-calibrated metering — Each channel has an eight-LED array to clearly display the level of your two signal. You can line up your analogue levels with your converters of DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.\u003c\/li\u003e\n\u003cli\u003eFront panel instrument and rear panel line inputs — Two 1\/4in. jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want.\u003c\/li\u003e\n\u003cli\u003eVariable cut-off high-pass filter — Built in, and easily accessed with its own large knob an illuminated button, is an extremely smooth sounding 18dB\/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out rumble, thumps and other unwanted low-frequency sounds and with a range of 16 to 420 Hz, it's easy to lose what you don't want, and keep what you do.\u003c\/li\u003e\n\u003cli\u003eRear panel balanced inserts — Each channel of ISA Two has its own balanced insert point. With 1\/4in. TRS send and receive connections, your choice of signal processor can be connected and switched in and out using the illuminated switch on the front panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-0\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eMic input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Mic)\u003c\/span\u003e\u003cspan\u003e0 dB to 60 dB in 10 dB steps, plus 0 dB to 20 dB continuously variable trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEIN (Mic)\u003c\/span\u003e\u003cspan\u003eMeasured at 60 dB of gain with 150 O source impedance and 22 Hz-22 kHz band pass filter -127 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise (Mic)\u003c\/span\u003e\u003cspan\u003eNoise at output with unity gain (0 dB) and 22 Hz-22 kHz band pass filter -97 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (Mic)\u003c\/span\u003e\u003cspan\u003eAt minimum gain (0 dB)-0.5 dB at 10 Hz,?-1 dB at 135 kHz, relative to 1 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAt 60 DB Gain (Mic)\u003c\/span\u003e\u003cspan\u003e-6 dB at 10 Hz, -1 dB at 115 kHz, relative to 1 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCrosstalk Channel To Channel (Mic)\u003c\/span\u003e\u003cspan\u003eMic input, with I\/P = 0 dBu, gain = 0 dB @ 1 kHz input to channel A, channel B output = -85 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-1\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eLine input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Line)\u003c\/span\u003e\u003cspan\u003e-20 dB to 10 dB in 10 dB steps, plus 0 dB to 20 dB continuously variable trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance (Line)\u003c\/span\u003e\u003cspan\u003e10 kO from 10 Hz to 200 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (Line)\u003c\/span\u003e\u003cspan\u003eAt minimum gain (0 dB)-0.3 dB at 10 Hz, -1 dB at 80 kHz, relative to 1 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCrosstalk Channel To Channel (Line)\u003c\/span\u003e\u003cspan\u003eLine input, with I\/P = 0 dBu, gain = 0dB @ 1 kHz input to channel AChannel B output?= -91 dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-2\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eInstrument input response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Instrument)\u003c\/span\u003e\u003cspan\u003e10 dB to 40 dB continuously variable trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance (Instrument)\u003c\/span\u003e\u003cspan\u003e2 MO\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise (Instrument)\u003c\/span\u003e\u003cspan\u003eMeasured with 22 Hz-22 kHz band pass filterMinimum gain ( 10 dB) = -95 dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (Instrument)\u003c\/span\u003e\u003cspan\u003eAt minimum gain ( 10 dB)-0.1 dB at 10 Hz,?-1 dB at 115 kHz, relative to 1 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eAt Maximum Gain ( 40 DB) (Instrument)\u003c\/span\u003e\u003cspan\u003e-2.5 dB at 10 Hz, ?-1 dB at 110 kHz, relative to 1 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-3\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eRoll-Off\u003c\/span\u003e\u003cspan\u003e18 dB per octave (3 pole filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Range\u003c\/span\u003e\u003cspan\u003eContinuously variable from 16 Hz to 420 Hz (-3 dB)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17078823714886,"sku":"ISA-TWO","price":1399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/ISA-Two-Front-2400-x-2400__52511.webp?v=1778514911"},{"product_id":"focusrite-isa-428-mkii","title":"Focusrite ISA428 MKII Classic ISA 4-Channel Mic Pre","description":"\u003cp\u003eNow in its second generation, the ISA 428 Mk II incorporates four of Focusrite's renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips.\u003c\/p\u003e\n\u003cp\u003eThe original Focusrite mic pre was designed to suit the microphones of the time; today's model makes one small change, adding three additional input impedances to the classic ISA110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design. Or you can experiment and bring out just the qualities you want.\u003c\/p\u003e\n\u003cp\u003eIn addition to the mic inputs, there are four front-panel instrument inputs making the ISA428 Mk II ideal for overdubs in the control room with no need for a DI box. On the back: four line inputs and switchable insert points on each channel to allow routing via external signal processors. There's also a versatile, vintage design variable high-pass filter to control what's going on at the bass end.\u003c\/p\u003e\n\u003cp\u003eAnd finally... accurate, 6-LED meters to tell you exactly what's going down. Optionally available for the ISA428 Mk II is a precision eight-channel A-D converter with 122dB dynamic range and superb jitter performance — ideal for simple interfacing with your DAW (sold separately).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour ISA series transformer-based preamps — ISA series mic preamps have been the producers' choice on countless hit records over the last two decades.\u003c\/li\u003e\n\u003cli\u003eEight-channel optional A-D converter — Four additional A-D converter inputs allow eight channels of high quality conversion, with a dynamic range of 122dB and jitter performance below 250 picoseconds.\u003c\/li\u003e\n\u003cli\u003eSelectable impedance — Ideal for mic matching or extended microphone creativity. Settings include the 'Vintage ISA110' setting, providing the original focusrite signature sound.\u003c\/li\u003e\n\u003cli\u003eFour front panel instrument inputs — Instant access on the face of the unit - no separate DI box required.\u003c\/li\u003e\n\u003cli\u003eDedicated analogue insert points — Switchable insert points are featured on every channel, allowing routing (between preamp and output) through additional external processing.\u003c\/li\u003e\n\u003cli\u003eAccurate LED meters for every channel — Clear metering designed to catch even the fastest and most elusive of transients.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-0\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eMic inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response At Minimum Gain (0dB) (Mic)\u003c\/span\u003e\u003cspan\u003e-0.35dB at 20Hz and –3dB at 122kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response At Maximum Gain (60dB) (Mic)\u003c\/span\u003e\u003cspan\u003e–2.5dB at 20Hz and –3dB 103kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Mic)\u003c\/span\u003e\u003cspan\u003e0dB to 60dB in 10dB steps, plus 0dB to 20dB continuously variable trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMaximum Headroom (Mic)\u003c\/span\u003e\u003cspan\u003e7.4dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise EIN (Mic)\u003c\/span\u003e\u003cspan\u003e-126dB (measured at 60dB of gain with 150O termination and 20Hz\/22kHz bandpass filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise At Main Output With Unity Gain (Mic)\u003c\/span\u003e\u003cspan\u003e-98dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSNR (Mic)\u003c\/span\u003e\u003cspan\u003e123dB (relative to max output 25dBu) 120dB (relative to 0dBFS ( 22dBu)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCMRR (Mic)\u003c\/span\u003e\u003cspan\u003e88dB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance, Variable (Mic)\u003c\/span\u003e\u003cspan\u003e600O, 1400O, 2400O, 6800O\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-1\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response At Unity Gain (0dB) (Line)\u003c\/span\u003e\u003cspan\u003e-0.3dB at 20Hz and –3dB at 94kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Line)\u003c\/span\u003e\u003cspan\u003e-20dB to 10dB in 10dB steps, plus 0dB to 20dB continuously variable trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMaximum Headroom (Line)\u003c\/span\u003e\u003cspan\u003e25.4dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTHD N (Line)\u003c\/span\u003e\u003cspan\u003e0.002 (measured with 4dBu input signal, 0dB gain setting, with a 20Hz\/22kHz bandpass filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise At Main Output With Unity Gain (Line)\u003c\/span\u003e\u003cspan\u003e-91dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSNR (Line)\u003c\/span\u003e\u003cspan\u003e116dB (relative to max output 25dBu) 113dB (relative to 0dBFS 22dBu). Input Impedance: 10kO\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response At 10dB Gain (Instrument)\u003c\/span\u003e\u003cspan\u003e-0.2dB at 20Hz and 0dB at 200kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response At 40dB Gain (Instrument)\u003c\/span\u003e\u003cspan\u003e-3dB at 20Hz and –3dB at 38.4kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-2\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range (Instrument)\u003c\/span\u003e\u003cspan\u003e10dB to 40dB continuously variable\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMaximum Headroom (Instrument)\u003c\/span\u003e\u003cspan\u003e11.5dBu\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eNoise At Main Output With Minimum Gain ( 10dB) (Instrument)\u003c\/span\u003e\u003cspan\u003e-95dBu (measured with a 20Hz\/22kHz bandpass filter)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance (Instrument)\u003c\/span\u003e\u003cspan\u003e\u0026gt;1MO\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-3\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eRoll Off\u003c\/span\u003e\u003cspan\u003e18dB per octave 3 pole filter\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Range\u003c\/span\u003e\u003cspan\u003e16Hz to 420Hz (continuously variable, measured at the 3dB down point)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-4\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eFront and rear connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eAnalogue Audio Outputs (Outputs 1-4)\u003c\/span\u003e\u003cspan\u003e4 line XLR outputs on rear panel, 4 insert send 1\/4” TRS jacks on rear panel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eOther I\/O\u003c\/span\u003e\u003cspan\u003eIEC power input connector 100Vac – 240Vac\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17078824566854,"sku":"ISA428-MKII","price":2999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/ISA_428_MKII_-_Front_Image_-_2400_x_2400_-Compressed__35866.webp?v=1778515384"},{"product_id":"focusrite-isa-828","title":"Focusrite ISA828 MKII Classic ISA 8-Channel Mic Pre","description":"\u003cp\u003eSharing the simple mic preamp design of the original Focusrite ISA 110 module from the Focusrite Studio Console, ISA 828 MK2 incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an 'ISA 110' setting, which replicates the impedance of the original Focusrite mic pre\u003c\/p\u003e\n\u003cp\u003eUp to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter with fixed 75Hz frequency and 18dB\/octave roll-off. ISA 828 MK2 features high-pass filters, calibratable per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.\u003c\/p\u003e\n\u003cp\u003eDedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MK2 perfect for permanent installation in a rack. New to the ISA 828 MK2 is an updated power supply that allows for more efficient power consumption, a reduction in heat generation, and extremely reliable operation. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at rates of up to 24-bit\/192kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic ISA mic preamp design featuring Lundahl LL1538 input transformer\u003c\/li\u003e\n\u003cli\u003eSwitching power supply design allows for efficient and cool operation\u003c\/li\u003e\n\u003cli\u003eFront-panel instrument inputs to the first four channels offer two impedance options: High (2.4 MΩ) and Low (470 kΩ)\u003c\/li\u003e\n\u003cli\u003eLine inputs with dedicated input connectors and front-panel switch\u003c\/li\u003e\n\u003cli\u003eSwitchable input impedance including classic ISA 110 setting\u003c\/li\u003e\n\u003cli\u003eHigh-pass filters\u003c\/li\u003e\n\u003cli\u003eSwitchable insert points when used with A-D card\u003c\/li\u003e\n\u003cli\u003eCalibratable, per-channel six-segment LED peak-level meters\u003c\/li\u003e\n\u003cli\u003eOptional A-D card with up to 192kHz, 24-bit sampling offers high-quality, precision digital audio conversion to Dante, ADAT and AES3 (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-0\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eMic inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range\u003c\/span\u003e\u003cspan\u003e0dB to +30dB (30-60 switch disabled) and +30dB to +60dB (30-60 switch enabled) in 10dB steps, with an additional +20dB of continuous trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003cspan\u003eLow = 600Ω, ISA 110 = 1400Ω, Med (Medium) = 2400Ω, High = 6800Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMax. Input Level\u003c\/span\u003e\u003cspan\u003e+7dBu, min gain, medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (20Hz - 20kHz)\u003c\/span\u003e\u003cspan\u003e20Hz - 20kHz ±0.2dB, min gain, medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTHD + N\u003c\/span\u003e\u003cspan\u003e-91dB (0.0028%) @ -1dBr, min gain, medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eEIN\u003c\/span\u003e\u003cspan\u003e-123dBu 'A'-Weighted (typical)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSignal-To-Noise Ratio\u003c\/span\u003e\u003cspan\u003e122dB 'A'-Weighted (typical), medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eCommon-Mode Rejection Ratio\u003c\/span\u003e\u003cspan\u003e997Hz CMRR: -93dB, min gain, medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePhantom Power\u003c\/span\u003e\u003cspan\u003e+48V, independently switchable per channel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eHigh-Pass Filter\u003c\/span\u003e\u003cspan\u003e75Hz knee frequency, 18dB\/Octave, independently switchable per channel\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePhase\u003c\/span\u003e\u003cspan\u003eInverts the phases of the selected input\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (10Hz - 110kHz)\u003c\/span\u003e\u003cspan\u003e10Hz - 110kHz ±1.5dB, min gain, medium Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-1\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eLine inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range\u003c\/span\u003e\u003cspan\u003e20dB to +10dB in 10dB steps, with an additional +20dB of continuous trim\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput Impedance\u003c\/span\u003e\u003cspan\u003eLow = 600Ω, ISA 110 = 1400Ω, Med (Medium) = 2400Ω, High = 6800Ω\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eMax. Input Level\u003c\/span\u003e\u003cspan\u003e+25dBu, min gain, low Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (20Hz - 20kHz)\u003c\/span\u003e\u003cspan\u003e20Hz - 20kHz ±0.1dB, min gain, low Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eTHD + N\u003c\/span\u003e\u003cspan\u003e-91dB (0.0028%) @ -1dBr, min gain, low Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSignal-To-Noise Ratio\u003c\/span\u003e\u003cspan\u003e122dB 'A'-Weighted (typical), min gain, low Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eFrequency Response (10Hz - 122kHz)\u003c\/span\u003e\u003cspan\u003e10Hz - 122kHz ±3dB, min gain, low Z\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-2\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eInstrument inputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eGain Range\u003c\/span\u003e\u003cspan\u003e+10dB to +40dB with continuous gain using trim pot\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-3\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eFront panel connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eChannel Count\u003c\/span\u003e\u003cspan\u003e2 Channels In\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInstrument Inputs\u003c\/span\u003e\u003cspan\u003e4 x 1\/4\" jack inputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInstrument Inputs\u003c\/span\u003e\u003cspan\u003e4 x 1\/4\" jack inputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-4\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eRear panel connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eMic Inputs\u003c\/span\u003e\u003cspan\u003eInput: 8 x Female XLR\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-5\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eLine level\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eChannel Count\u003c\/span\u003e\u003cspan\u003e8 In and 8 Out\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput\u003c\/span\u003e\u003cspan\u003e8 x 1\/4\" jack inputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eOutput\u003c\/span\u003e\u003cspan\u003e1 x DB-25 connectors (AES59)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-6\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eInserts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eChannel Count\u003c\/span\u003e\u003cspan\u003e8 In\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eInput\u003c\/span\u003e\u003cspan\u003e1 x DB-25 connectors (AES59)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-7\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eDigital card slot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eCompatible Card\u003c\/span\u003e\u003cspan\u003eISA ADN8\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-8\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eFront panel indicators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eControl Functions\u003c\/span\u003e\u003cspan\u003e16 x Pots (Gain and Trim). 60 Switches (On\/Off Switch, 30-60 Gain, +48V, Phase, HPF, Insert, Z In, Input, Meters Pre A-D, Clock Select and Ext. Word Clock)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec__group\" data-group-id=\"group-9\"\u003e\n\u003cp class=\"spec__sub-heading h6\"\u003e\u003cstrong\u003eRear panel indicators\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"spec__list\"\u003e\n\u003cli\u003e\n\u003cspan\u003eControl Functions\u003c\/span\u003e\u003cspan\u003e1 x Pot (Meter Trim)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17078824730694,"sku":"ISA828-MKII","price":4929.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/isa-828-front-2400-2400__55977.webp?v=1778515628"},{"product_id":"rolls-mp13","title":"Rolls MP13 Mini Microphone Preamp","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cp class=\"ov-desc\"\u003eThe Rolls MP13 Mini Microphone Preamp is a single-channel microphone preamp that is designed to provide a small, simple, and inexpensive solution for a variety of applications. The unit has both XLR and 1\/4\" inputs and outputs, and a single gain control with a clip indicator. Phantom powering (+36V) is included for use with a condenser microphone. The 1\/4\" output is specially designed for use as either a mono unbalanced output, or a stereo headphone output.\u003c\/p\u003e\n\u003cp class=\"ov-desc\"\u003e     \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA simple and economic single-channel microphone preamp\u003c\/li\u003e\n\u003cli\u003e1\/4\" and XLR inputs\/outputs, with a single gain control with clip indication\u003c\/li\u003e\n\u003cli\u003eProvides +36V Phantom Power for condenser microphones\u003c\/li\u003e\n\u003cli\u003eOutput designed for mono or stereo applications\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Rolls","offers":[{"title":"Default Title","offer_id":17078855303238,"sku":"MP13","price":189.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/mp13.jpg?v=1583954327"},{"product_id":"rolls-pb23","title":"Rolls PB23 Single Channel Phantom Power Supply","description":"\u003cp\u003eThe Rolls PB23 is a single-channel miniature phantom power supply that provides 48 volts.\u003c\/p\u003e\n\u003cp\u003e    \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-channel 48 volt phantom power supply with all-metal case\u003c\/li\u003e\n\u003cli\u003ePower on LED\u003c\/li\u003e\n\u003cli\u003eNoiseless 100 kHz switching power supply\u003c\/li\u003e\n\u003cli\u003eOutput pull down resistors for universal mixer compatibility\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rolls","offers":[{"title":"Default Title","offer_id":17078856056902,"sku":"PB23","price":129.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/pb23.jpg?v=1583954344"},{"product_id":"rolls-pb223","title":"Rolls PB223 48V Phantom Power Supply","description":"\u003cp\u003eThe Rolls PB223 Mic Power II Dual 48V Phantom Power Supply supplies 48 phantom volts for two condenser mics using standard 3-pin XLR cables. The AC adapter is included.\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003eA unique feature is the ability to power multiple PB223s from a single AC power supply by chaining together power connections for each unit. Each PB223 has two DC jacks as well as a 100 kHz switching power supply to prevent audio noise.\u003c\/p\u003e\n\u003cp\u003e   \u003c\/p\u003e\n\u003cp\u003eDual inputs and outputs let you feed a single mic, a stereo pair, or any two separate mics. The PB-223 is also available in a single channel version, the PB23.\u003c\/p\u003e\n\u003cp\u003e     \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDual 48V Power for Your Mics\u003c\/li\u003e\n\u003cli\u003eThe PB223 offers two channels of 48V phantom power on standard XLR connectors, so you can power one or two mics. If your audio interface or mixer doesn't feed condenser mics, add the PB223 to bridge the connection.\u003c\/li\u003e\n\u003cli\u003eShare Power Among Multiple Units\u003c\/li\u003e\n\u003cli\u003eTired of having a mess of separate power cables hogging your power strips? You can drive multiple PB223s from a single AC power supply by chaining them together. Each PB223 has DC in and through jacks so you can connect them in series using 5mm DC cables.\u003c\/li\u003e\n\u003cli\u003eLow Noise\u003c\/li\u003e\n\u003cli\u003eThe Dual Phantom Power Supply uses a 100 kHz switching power supply to prevent audio noise from the AC connection.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rolls","offers":[{"title":"Default Title","offer_id":17078856155206,"sku":"PB223","price":169.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/pb223.jpg?v=1583954340"},{"product_id":"rolls-pb224","title":"Rolls PB224 2-Channel Portable Battery Phantom Power Supply","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cp class=\"ov-desc\"\u003eThe Rolls PB224 is a lightweight, low-cost, 2-channel 48 Volt phantom power supply for condenser microphones, operating off of 2 9V batteries. The unit features redesigned voltage supply circuits for clean phantom power output, and a durable, molded plastic battery compartment. A Rolls power supply is included.\u003c\/p\u003e\n\u003cp class=\"ov-desc\"\u003e    \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight, 2-channel 48V phantom power supply with dual 9V battery operation\u003c\/li\u003e\n\u003cli\u003ePower LED\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Rolls","offers":[{"title":"Default Title","offer_id":17078856450118,"sku":"PB224","price":199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/pb224.jpg?v=1583954343"},{"product_id":"focusrite-scarlett-octopre","title":"Focusrite SCARLETT OCTOPRE 8-Channel Mic Preamp","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"webtext-block webtext-switched webtext-block--media-right webtext-block--mixed-content\"\u003e\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\u003cdiv class=\"prodcutDescriptionLong\"\u003eThe Scarlett OctoPre from Focusrite is designed to connect with existing interfaces, supplying them with an additional eight mic pres, eight balanced inputs, eight line outputs, and analog to digital conversion at 192 kHz via ADAT outputs. The mic pres are the same found in 2nd-generation Scarlett interfaces, and thus, comprise a suitable solution for expanding the input array of an existing Scarlett rig. The OctoPre also sports two combination inputs on the front panel that accommodate the 1\/4\" outputs of instruments, giving you the ability to plug a guitar or a bass straight into the device. Pads on every channel allow you to capture the sound of high-level sound sources (drumkits, for instance), and 48V phantom power can be instantiated to give condenser microphones their necessary juice. These features, combined with the word clock sync I\/O and 5-segment LED metering, render the unit quite suitable for use in the studio. But that's only one of its intended uses: the Scarlett OctoPre also operates well in live-sound conditions, providing eight additional preamps for the stage, all feeding their respective line outputs so they can feed a multitude of mixers, consoles, and PAs. You can even use the line outputs to feed a console while simultaneously recording digitally via the ADAT outputs. As with other items in the Scarlett series, the OctoPre ships with included software, giving you access to the Focus Red 3 plug-in suite, as well as the Softube Time \u0026amp; Tone bundle.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul id=\"itemBullets\"\u003e\n\u003cli\u003eFor Live \u0026amp; Studio Use\u003c\/li\u003e\n\u003cli\u003eAdds 8 Mic Pres to Scarlett Interfaces\u003c\/li\u003e\n\u003cli\u003eAdds 8 Line Outs to Existing Interfaces\u003c\/li\u003e\n\u003cli\u003eDual Front-Panel Instrument Jacks\u003c\/li\u003e\n\u003cli\u003eAD Conversion up to 192 kHz\u003c\/li\u003e\n\u003cli\u003eDual-Port ADAT 8-Channel Output\u003c\/li\u003e\n\u003cli\u003e48V Power on All Inputs\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003eSimultaneous Digital \u0026amp; Analog Outputs\u003c\/li\u003e\n\u003cli\u003eIncludes Focus Red 3 \u0026amp; Softube Bundle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17079216373830,"sku":"SCARLETT-OCTOPRE","price":769.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/30_2_3.jpg?v=1583956453"},{"product_id":"focusrite-scarlett-octopre-dynamic","title":"Focusrite Scarlett OCTOPRE DYNAMIC 8-Channel Mic Preamp","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe Scarlett OctoPre Dynamic from Focusrite is an eight-channel preamp and interface suitable for expanding the input array of any studio, and also, for use on stage. Connections are secured via eight combination inputs, each one giving you jacks that accept 1\/4\" and XLR cables. Two of the inputs can handle Hi-Z instruments as well, allowing you to plug in guitars and basses. Eight 1\/4\" line outs are also available via the rear panel. Also provided are eight channels of AD\/DA conversion up to 192 kHz. This feature, combined with the unit's back-panel ADAT I\/O section, renders the Scarlett OctoPre Dynamic quite suitable for expanding the input and output capability of interfaces such as the Scarlett 18i8, 18i20, or indeed, any interface connectable via ADAT. As its name suggests, the Scarlett OctoPre Dynamic provides a compressor on each individual input—more specifically, a soft-knee VCA compressor operated by a signal knob. You can use this compressor in transparent mode for a more natural transient-taming response, or depress the More button to achieve a more noticeable sound out of the compressor. Along with the dynamic controls, the high-headroom, 2nd-generation Scarlett mic preamps render the unit suitable for recording loud sound sources, such as drums. 48V phantom power is available to power condenser microphones, as is a sample-rate selection button, a word clock sync button, instrument mode button, and more—all controllable from the front panel. 5-segment LED input metering provides an accurate readout of your levels. With its flexibility in accepting\/routing signal via ADAT or analog connection points, you'll find this device useful in both studio and live environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003eEight 2nd-generation Scarlett mic preamps\u003c\/li\u003e\n\u003cli\u003eAnalog compression on every channel\u003c\/li\u003e\n\u003cli\u003eEight balanced line inputs\u003c\/li\u003e\n\u003cli\u003eFocusrite precision AD\/DA conversion up to sample rates of 192 kHz\u003c\/li\u003e\n\u003cli\u003eTwo front-panel instrument input controls\u003c\/li\u003e\n\u003cli\u003ePad-induced headroom for tracking loud sources such as drums\u003c\/li\u003e\n\u003cli\u003eEight balanced line outputs - suitable for live use\u003c\/li\u003e\n\u003cli\u003e5-segment LED input metering \u003c\/li\u003e\n\u003cli\u003eADAT connectivity via optical cables\u003c\/li\u003e\n\u003cli\u003e48V phantom power available on every channel for condenser mics\u003c\/li\u003e\n\u003cli\u003eDigital clocking with Word Clock I\/O and JetPLL jitter elimination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"highlighter--hover-tools\" style=\"display: none;\"\u003e\n\u003cdiv id=\"highlighter--hover-tools--container\"\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-copy\" title=\"Copy\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--separator\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-change-color\" title=\"Change Color\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--separator\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"highlighter--icon highlighter--icon-delete\" title=\"Delete\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":17079216472134,"sku":"SCARLETT-OCTOPRE-DYNAMIC","price":1099.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/37_3_3.jpg?v=1689103328"},{"product_id":"warm-audio-wa-412","title":"Warm Audio WA-412 4-CHANNEL Microphone Pre-Amp With DI","description":"\u003cp\u003eThe \u003cspan\u003eWA-412\u003c\/span\u003e from \u003cspan\u003eWarm Audio\u003c\/span\u003e is a four-channel preamp for microphones and Hi-Z inputs housed in a 1 RU chassis. It's fashioned in the American console preamp style, providing a punchy bottom end and smooth trebles. Each channel gives you 65 dB of gain, polarity switching, a 20 dB pad, 48V phantom power, a switchable impedance selector for tonal shaping, and knobs for both input gain and output; this allows for both precise and creative gain structuring of sound. You can easily watch your signal via the on-board LED meter for every channel.\u003c\/p\u003e\n\u003cp\u003eUnder the hood, you'll notice that each channel uses a discrete and socketed 6-pin X520 op-amp, which helps in giving you a significant amount of headroom with minimal distortion characteristics. You'll also note the Altran input and output transformers. If you don't peak under the hood, you'll take comfort in the fact that these components are extending your low-frequency response all while maintaining a pleasurable and open sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eNumber of Channels\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eInputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4 x XLR inputs \u003cbr\u003e4 x 1\/4\" HI-Z instrument inputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eOutput\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4 x XLR balanced outputs \u003cbr\u003e4 x 1\/4\" TRS balanced outputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePhantom Power\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eSwitchable for every channel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eGain Range\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e65 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eInput Impedance\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eSwitchable between 600 and 150 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eRackmount Space\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e1 RU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":17079265427526,"sku":"WA-412","price":1949.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1477515009000_1291125.jpg?v=1583953381"},{"product_id":"art-usbdualpreps","title":"ART USBDUALPREPS USB Dual Pre USB 1.1 Digital Audio Interface with Dual Microphone Preamps","description":"\u003cp\u003e\u003cspan\u003eThe USB Dual Pre is a full-featured high quality dual portable preamplifier and computer interface packed into a compact rugged case. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt is designed to work over a wide variety of applications from remote field recording to desktop\/studio tracking. Each of the two low noise input channels has up to 48 dB of clean gain with signal present and clip LED indicators. Inputs can be either XLR balanced or 1\/4-inch TRS. Each of the 1\/4-inch TRS outputs is buffered low impedance balanced. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe USB Dual Pre is powered via the USB bus. An internal 9 Volt battery, or optional external 12V power supply (or any combination of USB, battery \u0026amp; power supply) can be used depending on application. When running powered by battery alone, you should expect in excess of 50 hours of operation with phantom power off. Battery life will drop to approximately 20 hours (depending on microphone) when phantom powering is engaged (still enough time to get through an average session). \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus. For monitoring, an 1\/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. The monitor mix is also routed to the 1\/4-inch TRS balanced outputs. This lets you use the 1\/4-inch outputs as either preamplifier outputs or as the monitor feed to your powered monitors. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with the USB audio device drivers built into Windows 98SE\/ME\/2000\/XP\/Vista and Apple OS9.1\/OSX computers with native USB support. No special drivers are needed. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- USB Connectivity to Desktop and Laptop Computers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Low Noise Fully Balanced XLR and 1\/4-inch TRS Combi Inputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Up to 48 dB of Clean Gain n Built-in Low Noise Phantom Power Supply\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Latency Free Monitoring Mix and Level Controls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Independent Channel Gain Controls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 1\/4-inch TRS Balanced Monitor and 1\/8-inch Headphone Monitor Outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Includes Audacity Recording \u0026amp; Production Software\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Flexible 3-way Power from USB, External Supply, or 9 Volt Battery\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Includes USB Cable - Everything Needed To Start Recording Today!\u003c\/span\u003e\u003c\/p\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17079520067654,"sku":"USBDUALPREPS","price":99.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1240427749000_img_88369_1.jpg?v=1689103388"},{"product_id":"art-tpsii","title":"ART TPS II - 2 Channel Tube Microphone Preamplifier with V3 Valve Voicing and Variable Impedance","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe TPS II is a two-channel high performance preamplifier coupled with V3 (Variable Valve Voicing) functionality. It also features variable input impedance that allows users to dial in and match any microphone type from large condensers to ribbon microphones. The V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synthesizers, acoustic instruments, percussion, vocals and more. The TPS II displays level monitoring with two analog meters as well as two newly added input monitoring LED meters.\u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eTPS II\u003c\/span\u003e can accept +20dB peaks while maintaining over 120dB dynamic range, quiet performance and incredibly low distortion. The OPL (Output Protection Limiting) feature is used to control overshoots and normalize levels before clipping occurs. The unit also functions as a direct box, with impedance matching and preamplification for instrument or line-level sources. High-Z instruments or balanced microphone signals can be input through front and rear panel jacks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eTwo channel preamplifier system\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eV3 Variable Valve Voicing presets\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAdjustable input impedance\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eOPL - Output Protection Limiter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eBalanced XLR inputs and outputs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eHigh impedance instrument inputs and line level outputs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAutomatic instrument input switching\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003e48v phantom power (switch selectable)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003ePhase reverse switch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eGain switch (+20dB)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eInput gain and output level controls\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":31922765103183,"sku":"TPSII","price":259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/art_tps_ii_tps_ii_preamplifier_1266877832000_308351_1.jpg?v=1583953735"},{"product_id":"art-dmpaii","title":"Art DMPAII Digital Mpa 2-Channel Digital Mic Preamp","description":"\u003cp\u003e\u003cspan\u003eThe all new ART Digital MPA-II delivers all of the same great features of the ProMPA with the added versatility of digital output. Like the ProMPA-II, each input circuit has 48v phantom power and features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone. The Digital MPA-II can be configured for dual mono or stereo operation with selectable mid\/side mic support, summing the adjacent channel, to decode left\/right signals. \u003c\/span\u003e\u003cspan\u003eThe input section of the Digital MPA-II operates at either a low or high plate voltage applied to the two integrated hand-selected 12AX7 tubes for wider variation of preamp tone and performance. Large back-lit analog VU output meters display output levels while multi-colored LED arrays, with average or peak hold, show tube gain and digital output levels. \u003c\/span\u003e\u003cspan\u003eIn addition to XLR and 1\/4\" analog outputs, the Digital MPA-II features a high quality A to D converter which offers digital connectivity on S\/PDIF, ADAT, or AES\/EBU outputs. A rotary control on the front panel allows selection of format and sample rates from 44.1 to 192 KHz and 16 bit dithering. There is also a push button for, and two wordclock jacks, allowing loop-through. \u003c\/span\u003e\u003cspan\u003eThe Digital MPA-II comes in a standard 2u space rack-mountable steel chassis, with CNC routed black anodized aluminum face panel.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Variable Input Impedance For Flexible Microphone Voicing (150 Ohms To 2400 Ohms)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Selectable Plate Voltage\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Large VU Meters\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Backlit Function Switches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Discrete Class-A Input Microphone Preamplifier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Low Noise at Lower Gain Settings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Extremely Low Total Harmonic Distortion (THD)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Wide Frequency Response\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Additional Front Mounted Instrument Input Jack\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Supports Mid\/Side Miking Technique\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Operates at +4dbm\/-10dbv Output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Selectable Stereo\/Dual Operation of Output Controls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Automatic Instrument Input Selection\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 24-204KHz External sample rate\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 44.1K, 48K, 88.2K, 96K, 176.4K, 192K Internal sample rates\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 24\/16 bit switchable dithering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Wide dynamic range A\/D\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Rotary Encoder for quick selection of sample rate\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Separate analog and digital output level controls\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Digital Level LED meters display both Average and Peak level\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• ADAT optical I\/O\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Sync to incoming ADAT data rate\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Switch selectable optical output (S\/PDIF or ADAT)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• AES\/EBU and S\/PDIF outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Two wordclock jacks allowing loop through\u003c\/span\u003e\u003c\/p\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17079529865286,"sku":"DMPAII","price":599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/art_pro_mpa_ii_prompa_ii_microphone_1232394330000_598513_1__1.jpg?v=1583953592"},{"product_id":"art-prochannelii","title":"ART Pro Channel II Channel Strip","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe Pro Channel II from ART is a channel strip featuring a second-generation discrete Class-A microphone preamp, followed by a compressor and a 4-band semi parametric EQ section. The electronics of the preamp provide clean quiet gain while maintaining transparency. Analog and LED meters provide a detailed indication of audio levels. The compressor is able to subtly control transients and noise on the most demanding sources, while the EQ offers wide tune-ability, and can be patched before or after the dynamics processor. Separate rear panel insert points allow patching in external signal processors immediately after the microphone preamp, and before the EQ and dynamics processor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eVariable input impedance for flexible microphone voicing\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSelectable plate voltage\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eLarge VU meters\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eBacklit function switches\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDiscrete Class-A input microphone preamplifier\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eLow noise at lower gain settings\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eExtremely low Total Harmonic Distortion (THD)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eWide frequency response\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAdditional front mounted instrument input jack\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSupports Mid\/Side mic'ing technique\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eOperates at +4 dBm\/-10 dBv output\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSelectable stereo\/dual operation of output controls\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAutomatic instrument input selection\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17079535501382,"sku":"PROCHANNELII","price":469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1329919331000_img_241809_1.jpg?v=1583953681"},{"product_id":"art-voicechannel","title":"ART Voice Channel Tube Channel Strip","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe Voice Channel from ART is a single channel recording strip that features a tube based microphone preamp, a comprehensive dynamics section, a semi-parametric 4-band EQ and an output section that provides both analog and digital connectivity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt class=\"featureTitle\"\u003eMicrophone Preamp\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003eClass-A differential preamp optimized for low impedance microphones as well as line level signals\u003c\/li\u003e\n\u003cli\u003eThe impedance of the front and rear XLR inputs is continuously variable for fine-tuning the preamp to a wide variety of microphones\u003c\/li\u003e\n\u003cli\u003eSelectable tube plate voltage\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power\u003c\/li\u003e\n\u003cli\u003eSelectable 100Hz 6dB\/8ve low-cut filter for removing rumble, and wind noise\u003c\/li\u003e\n\u003cli\u003eSwitchable 20dB pad and phase invert switches\u003c\/li\u003e\n\u003cli\u003eFront panel DI provides a high impedance unbalanced input for instrument\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-3\"\u003e\n\u003cdt class=\"featureTitle\"\u003eDynamics\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003eConsists of an above threshold Compressor\/Limiter with De-esser, plus a selectable Expander\/Gate\u003c\/li\u003e\n\u003cli\u003eVariable ratio control\u003c\/li\u003e\n\u003cli\u003eVariable attack and release controls\u003c\/li\u003e\n\u003cli\u003eDe-esser control sets how much more the gain is reduced at high frequencies when using the compressor\/limiter - commonly used for taking out sibilance\u003c\/li\u003e\n\u003cli\u003eDe-esser frequency control selects which frequencies to reduce\u003c\/li\u003e\n\u003cli\u003eGate has an intelligent detector with a fast attack and release, coupled with a program dependant hold\u003c\/li\u003e\n\u003cli\u003eGain reduction LED meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt class=\"featureTitle\"\u003eEQ\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003e4-band semi-parametric equalizer\u003c\/li\u003e\n\u003cli\u003eEQ can be bypassed and also positioned before or after the dynamics section\u003c\/li\u003e\n\u003cli\u003eHigh and Low EQ bands are shelving type with a switch selectable turnover point\u003c\/li\u003e\n\u003cli\u003eThe Mid bands can be continuously tuned over a 5-octave range\u003c\/li\u003e\n\u003cli\u003e+\/-12dB boost on each band\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-5\"\u003e\n\u003cdt class=\"featureTitle\"\u003eOutput\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003eOutput level control provides gain or attenuation and affects the levels sent to the analog-to-digital converter, and to the balanced analog output jacks\u003c\/li\u003e\n\u003cli\u003eMic preamp output provides a direct signal from the preamp and in conjunction with the insert input allows for insertion of external processing prior to the EQ and dynamics\u003c\/li\u003e\n\u003cli\u003eSignal processing can be added between the analog output of the Voice Channel and the \"left\" and \"right\" channels of the A\/D converter by using the A\/D main insert and the A\/D CH2 insert respectively\u003c\/li\u003e\n\u003cli\u003eIn ADAT mode, channels 1 and 2 are the \"left\" and \"right\" A\/D outputs of the Voice Channel respectively. If the A\/D insertion jacks are not being used, both channels 1 and 2 carry the same signal\u003c\/li\u003e\n\u003cli\u003eIf the ADAT input is being used, channels 3 through 8 are passed through along with channels 1 and 2 of the Voice Channel\u003c\/li\u003e\n\u003cli\u003eSample rate\/dither knob selects the sample rate for the AES\/EBU, S\/PDIF and optical digital outputs\u003c\/li\u003e\n\u003cli\u003eWordclock input and \"thru\" on BNC connectors\u003c\/li\u003e\n\u003cli\u003eUSB 1.1 jack provides the output to a computer USB connection\u003c\/li\u003e\n\u003cli\u003eAnalog and digital output meters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17079538679878,"sku":"VOICECHANNEL","price":499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/art_voicechannel_voice_channel_tube_1233192455000_547620_1.jpg?v=1583953773"},{"product_id":"radial-sb-48-phantom","title":"Radial Engineering SB-48 PHANTOM Stagebug 2-Channel Phantom Power Generator","description":"\u003cp\u003e\u003cstrong\u003eRadial Engineering R800 0148 overview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section-inner-wrapper new-page-width noTimeline\" id=\"Overview\" data-selenium=\"OverviewBody\"\u003e\n\u003cdiv class=\"inner-wrapper clearfix \"\u003e\n\u003cdiv class=\"leftPanel\"\u003e\n\u003cdiv class=\"featureWrapper bulletlist clearfix\" data-selenium=\"featureWrapper\"\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned to allow you to connect microphones that require 12 or 48 volt phantom power to a mixer or recorder that does not provide power, the \u003cspan\u003eStageBug SB-48 2-Channel Phantom Power Generator\u003c\/span\u003e from \u003cspan\u003eRadial Engineering\u003c\/span\u003e boasts 2 channels of XLR I\/O in a rugged steel body. The no-slip bottom pad helps keep the StageBug SB-48 from slipping on stage, while its cable clamp helps lock down the included power supply cable to prevent accidental disconnection.\u003c\/p\u003e\n\u003cdiv class=\"new-page-width c45 detail-specs\"\u003e\n\u003ch2\u003eRadial Engineering R800 0148 specs\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section-inner-wrapper new-page-width \" id=\"Specification\" data-selenium=\"SpecificationBody\"\u003e\n\u003cdiv class=\"inner-wrapper clearfix\"\u003e\n\u003cdiv class=\"leftPanel\"\u003e\n\u003cdiv class=\"specWrapper\" data-selenium=\"specWrapper\"\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eCircuit Type\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNon-radiating phantom power supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eChannels\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eXLR Connector\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eAES standard pin 1: ground, pin-2 (+), pin-3 (-)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePhantom Power\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eSwitchable +48 \/ +12 V DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePower Supply\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e15 V DC \/ 400 mA external supply included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Radial Engineering","offers":[{"title":"Default Title","offer_id":17079820681286,"sku":"R800 0148","price":204.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/19318_full-removebg-preview.png?v=1694115395"},{"product_id":"behringer-mic500usb","title":"Behringer MIC500USB Vacuum Tube Preamplifier","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe \u003cspan\u003eTUBE ULTRAGAIN MIC500USB Vacuum Tube Preamplifier\u003c\/span\u003e from\u003cspan\u003eBehringer\u003c\/span\u003e gives you the sound quality of a vintage tube preamp and a high-end DI box all-in-one, plus a built-in USB audio interface that lets you record straight to your computer. The hand-selected 12AX7 tube and preamplifier can be used to warm up a signal fast, giving it depth and character in applications for recordings, live sound, podcasts, voice-overs, and more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing XLR and 1\/4\" TRS connectors, the preamplifier has +48V phantom power so you can use high-quality condenser mics. There is a rotary switch with 16-preamp voicings, which covers a wide range of applications for vocals, acoustic and electric guitars, bass, keyboards, and more. Other features include a powerful headphone output with level control knob and direct monitor select switch.\u003c\/p\u003e\n\u003cp\u003eAdditionally, you can connect directly to your Windows or Mac computer via a single USB cable. Now any signal source you connect to the MIC500USB can be recorded directly to your hard drive. Furthermore, Tracktion DAW software for composing, recording, editing, mixing, and sharing your music with the world is also included via a download link.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eThe TUBE ULTRAGAIN MIC500USB's hand-selected 12AX7 vacuum tube gives everything from microphones to acoustic guitars, or bass guitars a vintage tube vibe in a dependable and ultra-affordable package.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFor studio and live applications, the balanced XLR and 1\/4\" TRS inputs give you the maximum flexibility in either environment. The MIC500USB's controls consists of: switches for +48V phantom power, 20 dB pad, phase reverse and limiter, plus vintage-style gain and output knobs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eThere are 16 unique preamp voicings that cover a wide-range of applications including vocals, acoustic and electric guitars, bass, keyboards, and more.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eThe built-in audio interface can connect directly to your Mac or Windows computer via a single USB cable.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eTracktion software is included that lets you compose, record, edit, mix and share your music with the world. It is a single-screen interface that gives you all the tools of an entire professional-grade recording studio.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":17080869584966,"sku":"MIC500USB","price":121.9,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1480697106000_img_717664_1.jpg?v=1683562226"},{"product_id":"behringer-ps400","title":"Behringer PS400 Ultra-Compact Phantom Power Supply","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBehringer's PS400 Ultra-Compact Phantom Power Supply \u003c\/span\u003eprovides selectable 12V or 48V power for use with any condenser microphone. High-quality components enable ultra low noise via XLR connectors, and rugged construction promises years of durability.\u003c\/p\u003e\n\u003cp\u003eThe PS400 includes a 12V adapter for powering the unit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt class=\"featureTitle\"\u003eSelectable Phantom Power\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe PS400 includes a switch for choosing either 12V or 48V phantom power output, making it useful for the broadest range of condenser mics. Choose the level that works best with a particular mic and change the setting at will.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-3\"\u003e\n\u003cdt class=\"featureTitle\"\u003eDurable Construction\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe Phantom Power Supply is made rugged to survive use on the road as well as in the studio.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt class=\"featureTitle\"\u003eLow Noise\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eCareful engineering yields ultra low noise from the XLR output.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":17080869617734,"sku":"PS400","price":43.9,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/vtk0d10mlnyoup60fu0g.webp?v=1694115159"},{"product_id":"rme-m-16-ad","title":"RME M-16 AD 16-Channel High-End Analog To Madiadat Converter","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe \u003cspan\u003eM-16 AD\u003c\/span\u003e from \u003cspan\u003eRME\u003c\/span\u003e is an extremely high-quality 16-channel A\/D converter. It utilizes MADI (Multi-channel Audio Digital Interface) technology, which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology. Not only does the M-16 AD provide pristine audio circuitry, the great converters, and RME's famous SteadyClock technology, but the MADI protocol also enables incredibly long cable runs of over 1 mile (2000 meters)!\u003c\/p\u003e\n\u003cp\u003eIn order to put the M-16 AD to use, you need to have a computer with either an internal RME MADI card (such as the HDSP MADI), or an external RME MADI interface (like the HDSPe MADIface). If you're setting up a system where you'll need MADI D\/A conversion on the other end, you can use the 16-channel M-16 DA or the 32-channel M-32 DA.\u003c\/p\u003e\n\u003cp\u003eThe additional MADI port on the rear of the M-16 AD facilitates stacking multiple units together, which makes it possible to take advantage of the full 64-channels that this system is capable of delivering. With that magnitude of power, combined with the ability to send these signals great distances, makes this system a powerful tool for a wide range of professional applications. Live location recording, recording studio facilities, and installed systems in stadiums and theaters can all benefit from the excellent caliber of sound quality that RME is known for and that the M-16 AD will provide.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003e16-channel A\/D converter, symmetrically designed in a 2 rack-space enclosure\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eUtilizes MADI (Multi-channel Audio Digital Interface) technology which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDigital audio protocol enables cable runs of up 1.25 miles (2000 meters)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFully MIDI controllable by sending MIDI messages over the MADI connection\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDuring power on and power off, all noise is suppressed in the analog section\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eZero delay compensation is necessary when stacking multiple units\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003e16 6-segment LED meters\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eInputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e16 x 1\/4\" TRS Jacks\u003cbr\u003e2 x 25-Pin D-Sub Servo Balanced Input Connectors, Completely Symmetrical Audio Path\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eOutputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4 x ADAT Optical\u003cbr\u003e1 x MADI Optical and Coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSignal to Noise Ratio\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e113 dB RMS Unweighted, 116 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTotal Harmonic Distortion (THD)\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026lt; -110 dB (\u0026lt; 0.00032 %)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTHD + Noise\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026lt; -104 dB (\u0026lt; 0.00063 %)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026gt; 130 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e-0.1 dB: 10 Hz - 23.2 kHz (sf 48 kHz)\u003cbr\u003e-0.5 dB: \u0026lt; 5 Hz - 45 kHz (sf 96 kHz)\u003cbr\u003e-1 dB: \u0026lt; 5 Hz - 80 kHz (sf 192 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSample Rates\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e44.1, 48, 88.2, 96, 176.4, 192 kHz, Variable (Sync\/WC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eJitter\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eTypical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePower Supply\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eInternal Switching, 100V - 240V AC, 40 Watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e19 x 3.5 x 7.8\" (483 x 88 x 200 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u003cem\u003eNot Specified By Manufacturer\u003c\/em\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080909103174,"sku":"M16AD","price":5890.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1248110267000_635986_1.jpg?v=1583947904"},{"product_id":"rme-m-16-da","title":"RME M-16 DA 16-Channel High-End Madiadat To Analog Converte","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eM-16 DA\u003c\/span\u003e from \u003cspan\u003eRME\u003c\/span\u003e is an extremely high-quality 16-channel D\/A converter. It utilizes MADI (Multi-channel Audio Digital Interface) technology, which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology. Not only does the M-16 DA provide pristine audio circuitry, the great converters, and RME's famous SteadyClock technology, but the MADI protocol also enables incredibly long cable runs of over 1 mile (2000 meters)!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn order to put the M-16 DA to use, you need to have a computer with either an internal RME MADI card (such as the HDSP MADI), or an external RME MADI interface (like the HDSPe MADIface). If you're setting up a system where you'll need MADI A\/D conversion on the other end, you can use the 16-channel M-16 AD or the 32-channel M-32 AD.\u003c\/p\u003e\n\u003cp\u003eThe additional MADI port on the rear of the M-16 DA facilitates stacking multiple units together, which makes it possible to take advantage of the full 64-channels that this system is capable of delivering. With that magnitude of power, combined with the ability to send these signals great distances, makes this system a powerful tool for a wide range of professional applications. Live location recording, recording studio facilities, and installed systems in stadiums and theaters can all benefit from the excellent caliber of sound quality that RME is known for and that the M-16 DA will provide.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003e16-channel D\/A converter, symmetrically designed in a 2 rack-space enclosure\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eUtilizes MADI (Multi-channel Audio Digital Interface) technology which allows up to 64 channels of audio to flow freely without the shortcomings of multi-core cable-based digital audio technology\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDigital audio protocol enables cable runs of up 1.25 miles (2000 meters)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFully MIDI controllable by sending MIDI messages over the MADI connection\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDuring power on and power off, all noise is suppressed in the analog section\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eZero delay compensation is necessary when stacking multiple units\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003e16 6-segment LED meters\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eInputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4 x ADAT Optical\u003cbr\u003e1 x MADI Optical and Coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eOutputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e16 x 1\/4\" TRS Jacks\u003cbr\u003e2 x 25-Pin D-Sub Servo Balanced Input Connectors, Completely Symmetrical Audio Path\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSignal to Noise Ratio\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e114 dB RMS Unweighted, 118 dBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTotal Harmonic Distortion (THD)\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026lt; -104 dB (\u0026lt; 0.00063%)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTHD + Noise\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026lt; -100 dB (\u0026lt; 0.001%)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026gt; 110 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e-0.5 dB: 5 Hz - 22 kHz (sf 48 kHz)\u003cbr\u003e-0.1 dB: 10 Hz - 23.2 kHz (sf 48 kHz)\u003cbr\u003e-1 dB: \u0026lt; 5 Hz - 80 kHz (sf 192 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSample Rates\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e44.1, 48, 88.2, 96, 176.4, 192 kHz, Variable (Sync\/WC)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eJitter\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eTypical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003ePower Supply\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eInternal Switching, 100V - 240V AC, 40 Watts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e19 x 3.5 x 7.8\" (483 x 88 x 200 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080909201478,"sku":"M16DA","price":5890.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1248110267000_635987_1.jpg?v=1583947906"},{"product_id":"rme-hdspe-madi-fx","title":"RME HDSPe MADI FX 390 Channel Pcie Audio Card","description":"\u003cdiv class=\"h2-title new-page-width c45\"\u003e\n\u003ch2\u003eRME HDSPe MADI FX Overview \u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section-inner-wrapper new-page-width activateTimeline\" id=\"Overview\" data-selenium=\"OverviewBody\"\u003e\n\u003cdiv class=\"inner-wrapper clearfix \"\u003e\n\u003cdiv class=\"leftPanel\"\u003e\n\u003cdiv class=\"featureWrapper bulletlist clearfix\" data-selenium=\"featureWrapper\"\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp\u003eThe \u003cspan\u003eHDSPe MADI FX\u003c\/span\u003e from \u003cspan\u003eRME\u003c\/span\u003e is a two-card, compact PCIe solution for transmitting a huge number of audio channels using the MADI protocol. Utilizing two optical and one coaxial set of inputs and outputs, the cards are capable of delivering 194 input and 196 output channels when used in conjunction with the two-channel AES\/EBU I\/O and the analog monitor output. \u003c\/p\u003e\n\u003cp\u003eNot only does the system provide an impressive input and output count, but the included TotalMix FX software features a 4,096-channel mixer with a 192 kHz effects engine that allows latency-free monitoring with numerous effects like EQs, compressors, reverb, and echo, rendered directly on the hardware of the card and independent of the DAW software being used. MIDI is integrated and provides comprehensive remote control, while Wordclock I\/O includes switchable termination. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-2\"\u003e\n\u003cdt class=\"featureTitle\"\u003eOverview\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-card PCIe solution for transmitting a huge number of audio channels using the MADI protocol\u003c\/li\u003e\n\u003cli\u003e194 input and 196 output channels when used in conjunction with the two-channel AES\/EBU I\/O and the analog monitor output\u003c\/li\u003e\n\u003cli\u003eWordclock connection and four MIDI I\/Os\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-3\"\u003e\n\u003cdt class=\"featureTitle\"\u003eInputs and Outputs\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cbr\u003e\u003cem\u003e3 x MADI I\/O\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eTwo optical and one coaxial MADI I\/O (SC industry standard optical connectors, coaxial configured as 75Ω BNC)\u003c\/li\u003e\n\u003cli\u003e192 inputs and 192 outputs simultaneously available at 44.1 and 48 kHz, 96 inputs and 96 outputs at 96 kHz, and 48 inputs and 48 outputs at 192 kHz\u003c\/li\u003e\n\u003cli\u003eIn general, two optical MADI-I\/Os are adequate to implement a major studio or live setup with long cable lengths, whereas the additional coaxial MADI I\/O provides maximum flexibility and provides in-the-box conversion between both formats\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eAnalog Monitoring Output\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eLow-latency, reference quality analog stereo output, ideally suited to high- and low-impedance headphones\u003c\/li\u003e\n\u003cli\u003eUsing the monitoring features of TotalMix, any input channel, recorded tracks, or complex sub-mixes can be selected for listening\u003c\/li\u003e\n\u003cli\u003eCue function allows each of the 98 possible stereo sub-mixes to be monitored with a single mouse click\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eAES\/EBU I\/O\u003c\/em\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eDigital input\/output in the professional AES\/EBU format for those who work with additional AES\/EBU devices and would like to easily connect them to their DAW\u003c\/li\u003e\n\u003cli\u003eAllows the connection of a simple AD\/DA converter (e.g. RME's ADI-2 for example) to get a second monitoring output, or to create a talkback setup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eMIDI Integration and Remote Control\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eFour MIDI I\/Os - one via the external breakout cable, the other three internal as virtual MIDI ports, one for each MADI I\/O\u003c\/li\u003e\n\u003cli\u003eEach MADI I\/O owns a virtual MIDI I\/O in the operating system that can be addressed by any MIDI program\u003c\/li\u003e\n\u003cli\u003eMIDI signals are transmitted through the same lines and distances as the MADI data, with the MIDI signals able to be played back from RME MADI devices via a standard MIDI DIN port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eWordclock I\/O\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eWordclock I\/O with switchable termination\u003c\/li\u003e\n\u003cli\u003eThe MADI FX card uses SteadyClock to extract the reference clock directly from the MADI signal, while reducing possible jitter to a minimum, making long-distance connections even more convenient\u003c\/li\u003e\n\u003cli\u003eWordclock input processes signals automatically in single, double or quad speed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-4\"\u003e\n\u003cdt class=\"featureTitle\"\u003eTotalMix FX\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cbr\u003e\u003cem\u003eDigital Zero Latency Effects\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eDSP-based hardware mixer with 46-bit internal resolution\u003c\/li\u003e\n\u003cli\u003eProvides the same 192 kHz effects engine as the Fireface UFX and UCX but with improved DSP efficiency.\u003c\/li\u003e\n\u003cli\u003eEvery input and output channel comes with a feature set comparable to a full-scale digital console\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eFlexible Routing with Professional Matrix View\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eAll 194 inputs and 196 playback channels can be freely routed and mixed to 196 physical outputs\u003c\/li\u003e\n\u003cli\u003eThis creates a powerful router\/mixer and allows for much more than usage as simple computer I\/O unit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eMonitoring Controller\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eProvides a complete complement of all the functions needed to control the monitoring of modern in-the-box studio or live mixing sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eTotalMix Remote Control\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eMain functions can be remotely controlled via MIDI with any Mackie Control compatible controller\u003c\/li\u003e\n\u003cli\u003eCan be also be remotely controlled by Apple's iPad via Mackie Control emulator apps, standard MIDI commands, and OSC (TouchOSC, Lemur) realizing comfortable wireless remote control of TotalMix key parameters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\" data-tickertarget=\"ov-ft-5\"\u003e\n\u003cdt class=\"featureTitle\"\u003eAdditional Features\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003e\n\u003cbr\u003e\u003cem\u003eSteadyClock\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eRME's jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent of the quality of external clock signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eIntelligent Clock Control (ICC)\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eDisplays status of every clock\u003c\/li\u003e\n\u003cli\u003eRetains the last valid input sample rate in case of failure of the external source\u003c\/li\u003e\n\u003cli\u003eSyncCheck offer a quick detection of clock problems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cem\u003eDIGICheck\u003c\/em\u003e\n\u003cul\u003e\n\u003cli\u003eSoftware tool box for metering, testing, measuring and analyzing digital audio streams\u003c\/li\u003e\n\u003cli\u003eUnder Mac OS X the software provides unique functions and features of the spectral analysis of the data calculated in the hardware level right through to the sophisticated multi-channel level meter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"h2-title new-page-width c45\"\u003e\n\u003ch2\u003e\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"leftPanel\"\u003e\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080912871494,"sku":"HDSP MADI-FX","price":2795.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1348506497000_886439_1.jpg?v=1583947900"},{"product_id":"rme-opto-x","title":"RME HDSPe Opto-X Extension Board For Hdspe Madi Fx Triple Madi Card","description":"\u003cp\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003cspan\u003e RME OPTO-X Extension Board \u003c\/span\u003e\u003cspan\u003eworks with the HDSPe MADI FX Triple MADI Card with full functionality. This extension board adds more I\/O ports to the internal cards of the HDSPe series. It comes with a Word Clock I\/O and a D-sub connector for MIDI and AES I\/O. The standard coaxial MADI I\/O in this extension board is replaced by an optical MADI I\/O. The MADI FX offers 3 optical MADI I\/Os when used with the OPTO-X Extension Board.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eConnection\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e1 x MADI I\/O optical\u003cbr\u003e1 x MIDI I\/O via D-sub\u003cbr\u003e1 x AES I\/O via D-sub\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3.0 x 5.0\" (76.2 x 127.0 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080913035334,"sku":"OPTOX","price":699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1381850850000_1005521_1.jpg?v=1583947960"},{"product_id":"rme-adi-8-qs","title":"RME ADI-8 QS AD\/DA Converter","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003eThe \u003cspan\u003eADI-8 QS \u003c\/span\u003efrom \u003cspan\u003eRME\u003c\/span\u003e is their top of the line, eight-channel analog-to-digital and digital-to-analog converter that balances excellent analog circuit design with the latest in converter technology. The combination provides conversion of the highest order along with a healthy supply of features.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe unit is outfitted with both balanced 1\/4\" phone input\/output connectors, along with 25-pin D-sub connectors, the latter providing slightly higher maximum output levels. Conversion is available to\/from AES\/EBU and ADAT optical at sample rates up to 192kHz for the AES\/EBU streams and 96kHz for ADAT.\u003c\/p\u003e\n\u003cp\u003eEfficient jitter reduction via SteadyClock guarantees prestine sound quality while Intelligent Clock Control (ICC) will retain the last valid sample frequency in case of a loss of the input signal. SyncCheck ensures perfect synchronization and excellent detection of errors, allowing multiple units to be stacked and operated sample-aligned, using word clock. All settings are stored when the unit is switched off.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eEight-channel analog to digital converter with a completely symmetrical and DC-coupled audio path\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eEight-channel digital to analog converter, DC-coupled audio path and double balanced output\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eLow latency conversion with only nine samples of delay (in double speed mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFour stereo AES\/EBU channels of input\/output (sixteen total) via a D-sub connector, with eight channels total @ 192kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eADAT 24-bit optical inputs, with RME's Bitclock PLL for sample accurate lock. Optical outputs fully compatible with all ADAT optical inputs and S\/MUX compatible\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eDigital input\/output trim, with a range of 6dB per input\/output\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSyncCheck technology checks clock synchronization\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAnalog and digital limiter available for analog-to-digital conversion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eMIDI I\/O ports\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSixteen LED level meters with seven LEDs per each meter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eIncluded remote control for store\/recall, volume and DIM\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAll settings are stored permanently\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFully remote controllable via MIDI\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eADC\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e24-bit, 128x oversampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDAC\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e24-bit, 128x oversampling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSample Rates\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e44.1, 48, 88.2, 96, 176.4 and 192kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eAnalog In\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x 1\/4\" TRS phone\u003cbr\u003e1 x 25-pin D-sub \u003cspan class=\"specNote\" data-selenium=\"specNote\"\u003e\u003ca class=\"specNoteLink js-popover-opener\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/517108-REG\/RME_ADI8QS_ADI_8_QS.html#specNote1\" title=\"\" data-trigger=\"hover\" data-container=\"body\" data-selenium=\"specNoteLink\" data-original-title=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eAnalog Outputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e8 x 1\/4\" TRS phone\u003cbr\u003e1 x 25-pin D-sub \u003cspan class=\"specNote\" data-selenium=\"specNote\"\u003e\u003ca class=\"specNoteLink js-popover-opener\" href=\"https:\/\/www.bhphotovideo.com\/c\/product\/517108-REG\/RME_ADI8QS_ADI_8_QS.html#specNote2\" title=\"\" data-trigger=\"hover\" data-container=\"body\" data-selenium=\"specNoteLink\" data-original-title=\"\"\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDigital Input Connectors\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e1 x 25-pin D-sub providing 4 AES\/EBU pairs (shared with output)\u003cbr\u003e2 x ADAT optical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDigital Output Connectors\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e1 x 25-pin D-sub providing 4 AES\/EBU pairs (shared with output)\u003cbr\u003e2 x ADAT optical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eWord Clock\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eBNC I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e\u0026lt;120dB, unmuted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e5Hz to 63.4kHz, -0.1dB (A\/D to D\/A @192kHz s\/f)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTHD + N\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eAD: \u0026lt;-104dB (\u0026lt; 0,00063 %)\u003cbr\u003eDA: \u0026lt;-102dB (\u0026lt;0.0008%)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDimensions (WxHxD)\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e19 x 7.88 x 1.75\" (483 x 200 x 45mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e4.4 lbs (2 kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSpecialties\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eFully remote controllable and configurable via MIDI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080988729414,"sku":"ADI 8 QS","price":4255.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/2023-07-1115_32_43-Window.png?v=1689104024"},{"product_id":"rme-hdsp-9652","title":"RME HDSP 9652 - 26 Input  26 Output 24-Bit96Khz","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"h2-title new-page-width c45\"\u003e\n\u003ch2\u003eRME HDSP 9652 Overview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section-inner-wrapper new-page-width noTimeline\" id=\"Overview\" data-selenium=\"OverviewBody\"\u003e\n\u003cdiv class=\"inner-wrapper clearfix \"\u003e\n\u003cdiv class=\"leftPanel\"\u003e\n\u003cdiv class=\"featureWrapper bulletlist clearfix\" data-selenium=\"featureWrapper\"\u003e\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp class=\"ov-desc-paragraph\"\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eHDSP 9652\u003c\/span\u003e from RME is a digital I\/O PCI card for use with both Windows and Mac OS based computers. It offers three sets of ADAT optical I\/O, ADAT-Sync In, SPDIF I\/O and word clock I\/O. Also included are two MIDI inputs and outputs (for a total of thirty-two channel) and TotalMix, a DSP-based real-time software mixer\/router.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA clear structured and easy to understand set-up window plus an informative status windows for input signal, clock mode, sample rate and time code make working with the \u003cspan\u003eHDSP 9652\u003c\/span\u003e a real pleasure. When working with several digital sources it is not only necessary to know if these are properly locked, but also if they are totally synchronized. RME's SyncCheck function checks all input signals and displays their actual state.\u003c\/p\u003e\n\u003cp\u003eA display of the time code at the ADAT Sync-In port offers a quick check of the communication between external device and the card. The \u003cspan\u003eHDSP 9652\u003c\/span\u003e's Secure BIOS Technology allows the user to perform hardware updates via software\/drivers without any risk. And because of its \"Zero CPU Load\" technology the card provides high performance and low latency.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sectionHeaders js-hiddenFeatures\" data-selenium=\"sectionHeaders\"\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eFifty-two channel Input\/Output PCI card\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eEight buffer size\/latencies available\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eASIO zero CPU load technology when using \u003cem\u003eALL\u003c\/em\u003e 52 channels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eSlave and master clock modes with automatic and intelligent master\/slave clock control\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eUnsurpassed Bitclock PLL (audio synchronization) in ADAT mode\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eAll settings changeable in realtime\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl class=\"js-featureSectionDL\"\u003e\n\u003cdd class=\"featuredd c28\"\u003eIncludes DIGICheck, a software tool for measuring, analysis and testing of various functions of the data stream\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\u003c\/dd\u003e\n\u003cdd class=\"featuredd c28\"\u003e\n\u003cdiv class=\"h2-title new-page-width c45\"\u003e\n\u003ch2\u003eRME HDSP 9652 Specs\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"leftPanel\"\u003e\n\u003cdiv class=\"specWrapper\" data-selenium=\"specWrapper\"\u003e\n\u003ctable class=\"specTable\" data-selenium=\"specTable\"\u003e\n\u003ctbody data-selenium=\"specBody\"\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eConverters\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e24-bit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSample Rates\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e32, 44.1, 48, 88.2 and 96kHz, variable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eAnalog In\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eAnalog Outputs\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDigital Input Connectors\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3 x ADAT Toslink\u003cbr\u003e1 x RCA S\/PDIF coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDigital Output Connectors\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e3 x ADAT Toslink\u003cbr\u003e1 x RCA S\/PDIF coaxial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eMIDI In\/Out\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003e2 x MIDI I\/O (32 channels)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSync In\/Out\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eADAT\u003cbr\u003eS\/PDIF\u003cbr\u003eWordclock I\/O on included expansion board\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eHeadphone Output\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eTHD + N\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNot applicable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNot applicable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eNot applicable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eMinimum System Requirements\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eIncludes drivers for:\n\u003cul\u003e\n\u003cli\u003eWindows 98\/ME (MME with multi-client operation, ASIO 2.0, GSIF)\u003c\/li\u003e\n\u003cli\u003eWindows 2000\/XP (full multi-client operation of MME, GSIF and ASIO 2.0)\u003c\/li\u003e\n\u003cli\u003eMac OS 9.x (ASIO 2.0)\u003c\/li\u003e\n\u003cli\u003eMac OS X (Core Audio, Core MIDI)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specTopic fs18\" data-selenium=\"specTopic\"\u003eSpecialties\u003c\/td\u003e\n\u003ctd class=\"specDetail fs18\" data-selenium=\"specDetail\"\u003eS\/MUX supported with 12 channels 96kHz\/24-bit for record and playback on ADAT optical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":17080996823110,"sku":"HDSP 96\/52","price":998.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/products_hdsp_9652_2b_1.jpg?v=1583947893"},{"product_id":"warm-audio-wa73","title":"Warm Audio WA73 1073-STYLE 1-CHANNEL Solid State Mic Preamp","description":"\u003cp\u003e\u003cspan\u003eIf there's one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the \"Holy Grail\" of preamps today. The Warm Audio \"WA73 Family\" provides single and dual channel re-creations of this classic British preamp (with \u0026amp; without EQ), that each pay careful and humble homage to the original circuit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe WA73 is a \"Desert Island\" boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there's no recording, mixing or engineering task that the WA73 can't handle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe classic 1073 was hand-wired and so is the WA73! The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. Warm Audio maintained integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Single Channel, Class A, 1073-style British Microphone Preamp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made Carnhill Transformers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand wired, hand assembled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 80dB of gain - resistor stepped gain switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Fully discrete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TONE button - Changes input transformer impedance for varying tone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polarity switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 48v phantom power\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR mic input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Line level TRS input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TS Send\/Receive insert jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR \u0026amp; TRS line level outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Direct In, instrument input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• LED level indication\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19\" rackable\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Ground lift switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Internal IEC 115v\/230v power inlet\u003c\/span\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":17081500467270,"sku":"WA73","price":929.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/WA73.jpg?v=1606454355"},{"product_id":"warm-audio-wa73-eq","title":"Warm Audio WA73-EQ 1073-STYLE 1-CHANNEL Solid State Mic Preamp Weq","description":"\u003cp\u003e\u003cspan\u003eIf there's one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the \"Holy Grail\" of preamps today. The Warm Audio \"WA73 Family\" provides single and dual channel re-creations of this classic British preamp (with \u0026amp; without EQ), that each pay careful and humble homage to the original circuit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe WA73-EQ is a \"Desert Island\" boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain, a fully discrete Carnhill Transformer balanced signal path, and versatile 3 band inductor EQ, there's no recording, mixing or engineering task the WA73-EQ cant handle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe classic 1073 was hand-wired and so is the WA73-EQ! The WA73-EQ is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. Warm Audio maintained integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUK Blore Edwards Switch-Pots\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA great sounding 1073-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ section of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a 1073-style preamp-eq in this price range.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Single Channel, Class A, 1073-style British Microphone Preamp with EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made Carnhill Transformers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand Wired, hand assembled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 80dB of gain - resistor stepped gain switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Fully discrete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TONE button - Changes input transformer impedance for varying tone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polarity switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 48v phantom power\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Inductor based 3 band EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Low Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Mid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High Band Boost\/Cut - 10, 12, 16 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Additional high band frequency EQ points added (compared to vintage 1073)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR mic inputs (front \u0026amp; back)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Line level TRS input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TS Send\/Receive insert jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR \u0026amp; TRS line level outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Direct In, instrument input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Led level indication\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Freq response 20Hz - 20kHz +\/-.5 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19\" rackable\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Internal IEC 115v\/230v power inlet\u003c\/span\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":17081500500038,"sku":"WA73EQ","price":1399.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/wa73eq_1.jpg?v=1689103484"},{"product_id":"warm-audio-wa273","title":"Warm Audio WA273 TWO CHANNEL 1073-STYLE Solid State Mic Preamp","description":"\u003cp\u003e\u003cspan\u003eIf there's one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the \"Holy Grail\" of preamps today. The Warm Audio \"WA73 Family\" provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe WA273 is a boutique, 2 channel \"Desert Island\" preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that works with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there's no recording, mixing or engineering task that the WA273 can't handle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe classic 1073 was hand-wired and so is the WA273! The WA273 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn important part of these classic British circuits not often discussed is the different styles of capacitors and output transistor used. Warm Audio has maintained integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Two Channel, Class A, 1073-Style British Microphone Preamp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made Carnhill Transformers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand Wired, hand assembled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 80dB of gain - resistor stepped gain switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Fully discrete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TONE button - Changes input transformer impedance for varying tone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polarity switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 48v phantom power\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR mic input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Line level TRS input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TS Send\/Receive insert jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR \u0026amp; TRS line level outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Direct In, instrument input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Freq response 20Hz - 20kHz +\/-.5 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19\" rackable\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Internal IEC 115v\/230v power inlet\u003c\/span\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":17081500631110,"sku":"WA273","price":1799.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/warm-audio-wa273-preamp-41a.jpg?v=1583953402"},{"product_id":"warm-audio-wa273-eq","title":"Warm Audio WA273-EQ TWO CHANNEL 1073-STYLE Solid State Mic Preamp Weq","description":"\u003cp\u003e\u003cspan\u003eIf there's one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the \"Holy Grail\" of preamps today. The Warm Audio \"WA73 Family\" provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe WA273-EQ is a boutique, 2 channel \"Desert Island\" preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that works with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA273-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there's no recording, mixing or engineering task that the WA273-EQ can't handle.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUK Custom Carnhill Transformers\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHand Wired \u0026amp; Hand Assembled\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe classic 1073 was hand-wired and so is the WA273-EQ! The WA273-EQ is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCapacitors \u0026amp; Signal Path\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn important part of these classic British circuits not often discussed is the different styles of capacitors and output transistor used. Warm Audio has maintained integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUK Blore Edwards Switch-Pots\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA great sounding 1073-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ sections of the WA273-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a 1073-style preamp-eq in this price range.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e• Two Channel, Class A, 1073-Style British Microphone Preamp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made Carnhill Transformers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• UK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Hand Wired, hand assembled\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 80dB of gain - resistor stepped gain switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Fully discrete\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TONE button - Changes input transformer impedance for varying tone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Polarity switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 48v phantom power\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Inductor based 3 band EQ\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Low Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Mid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• High Band Boost\/Cut - 10, 12, 16 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Additional high band frequency EQ points added (compared to vintage 1073)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR mic inputs (front \u0026amp; back)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Line level TRS input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TS Send\/Receive insert jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• XLR \u0026amp; TRS line level outputs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Direct In, instrument input\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Output control\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Led level indication\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Freq response 20Hz - 20kHz +\/-.5 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 19\" rackable\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Internal IEC 115v\/230v power inlet\u003c\/span\u003e\u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":17081500893254,"sku":"WA273EQ","price":2499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/wa273-eq_1.jpg?v=1583953405"},{"product_id":"mackie-m48-48v-phantom-power-supply","title":"Mackie M48 48V Phantom Power Supply","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cspan\u003eM48 \u003c\/span\u003e48v Phantom Power Supply allows you to use your devices and microphones that require external power in any setup. Sometimes the phantom power being supplied is inadequate as well, and with the M48, you will always get a clean, full 48v of power for the best sound and noise performance. Powered by either a 9v battery or supplied AC adapter.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePerfect for condenser mics and equipment that require 48v Phantom Power\u003c\/li\u003e\n\u003cli\u003eXLR input and output\u003c\/li\u003e\n\u003cli\u003eTransparent, noise-free operation\u003c\/li\u003e\n\u003cli\u003ePowered by the included AC adapter or 9v battery\u003c\/li\u003e\n\u003cli\u003ePower and Low Battery indication\u003c\/li\u003e\n\u003cli\u003eBuilt-Like-A-Tank™ construction\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mackie","offers":[{"title":"Default Title","offer_id":17081548308550,"sku":"M48","price":99.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/m48_1.jpg?v=1694115354"},{"product_id":"art-phantom-1","title":"ART PHANTOM1 Single-Channel Phantom Power Supply","description":"\u003cp\u003eThe PHANTOM I Single-Channel Phantom Power Supply from ART is a single-channel phantom power supply, equipped with standard XLR connectors. It supports condenser microphones with voltage requirements from 9 to 48V. Rather than operating on batteries, it is powered via the included 18 VDC power adapter.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight, single-channel phantom power supply\u003c\/li\u003e\n\u003cli\u003eSupplies 48 VDC (±2V) phantom power\u003c\/li\u003e\n\u003cli\u003eUltra-quiet operation\u003c\/li\u003e\n\u003cli\u003eRequires 18 VDC power adapter (included)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Connectors 1 x 3-pin XLR Female\u003c\/li\u003e\n\u003cli\u003eOutput Connectors 1 x 3-pin XLR Male\u003c\/li\u003e\n\u003cli\u003ePhantom Power Output: 48 VDC ±2 V\u003c\/li\u003e\n\u003cli\u003eFrequency Response 10 Hz to 25 kHz\u003c\/li\u003e\n\u003cli\u003eOutput Noise -115 dBV\u003c\/li\u003e\n\u003cli\u003eCurrent Drain 14 mA\u003c\/li\u003e\n\u003cli\u003ePower Requirement 18 VDC power adapter (included)\u003c\/li\u003e\n\u003cli\u003eBattery No\u003c\/li\u003e\n\u003cli\u003eDimensions 5.25 x 2.75 x 1.75\" (133.3 x 70.0 x 44.5 mm)\u003c\/li\u003e\n\u003cli\u003eWeight 1.3 lb (590 g)\u003c\/li\u003e\n\u003cli\u003ePackage Weight 1.83 lb\u003c\/li\u003e\n\u003cli\u003eBox Dimensions (LxWxH) 13.5 x 7.0 x 2.5\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ewww.musicredone.com\u003c\/strong\u003e is an official dealer \u003cstrong\u003eArt.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17081742688326,"sku":"PHANTOM1","price":69.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/phantom_i_1_-removebg-preview.png?v=1694115700"},{"product_id":"art-phantom-2-pro","title":"ART PHANTOM2PRO - Battery Operated Phantom Power Supply","description":"\u003cp\u003eThe PHANTOM II Pro from Art is a 2-channel portable phantom power supply with XLR connectors that operates off of two 9 Volt batteries. Condenser microphones with voltage requirements from 9-48 Volts are supported.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLightweight, 2-channel portable phantom power supply\u003c\/li\u003e\n\u003cli\u003e9-48V condenser microphone requirements supported\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Connectors 2 x 3-pin XLR Female\u003c\/li\u003e\n\u003cli\u003eOutput Connectors 2 x 3-pin XLR Male\u003c\/li\u003e\n\u003cli\u003eAdapter 12 VDC\u003c\/li\u003e\n\u003cli\u003eBattery 2 x 9V Batteries\u003c\/li\u003e\n\u003cli\u003ePower 2 x 9V, AC Adapter\u003c\/li\u003e\n\u003cli\u003eDimensions 5.6 x 1.75 x 3.6\" (144 x 45 x 92mm)\u003c\/li\u003e\n\u003cli\u003eWeight 1.5 lb (680g)\u003c\/li\u003e\n\u003cli\u003ePackage Weight 1.2 lb\u003c\/li\u003e\n\u003cli\u003eBox Dimensions (LxWxH) 14.2 x 7.1 x 3.5\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ewww.musicredone.com\u003c\/strong\u003e is an official dealer \u003cstrong\u003eArt.\u003c\/strong\u003e\u003c\/p\u003e","brand":"ART","offers":[{"title":"Default Title","offer_id":17081742983238,"sku":"PHANTOM2PRO","price":89.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/1272911716000_img_160489.jpg?v=1583953668"},{"product_id":"audient-asp880-8-channel-class-a-microphone-preamplifier-and-adc","title":"Audient ASP880 8 Channel Class-A Microphone Preamplifier And ADC","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eUpgrade Your Front End\u003c\/h2\u003e\n\u003cp\u003eThe Audient ASP880 is an eight-channel microphone preamp\/ADC that delivers transparent, world-class audio - with just a hint of analog coloration that sounds stunning on any project. Onboard, you'll find eight of Audient's acclaimed Class A console mic pres (with variable-input impedance), along with high-end Burr Brown converters, line inputs, variable highpass filters, insert points, and two discrete JFET DIs. Your recordings are only as good as your front end. If your mic preamps and converters leave something to be desired, the rest of your signal chain doesn't matter. Upgrade your front end with the Audient ASP880.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ASP880 Eight-channel Microphone Preamp\/ADC at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWorld-class audio - and incredible value\u003c\/li\u003e\n\u003cli\u003eAudient mic pres and Burr Brown converters onboard\u003c\/li\u003e\n\u003cli\u003eVersatile functionality to juice your workflow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWorld-class audio - and incredible value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDo you spend hours EQing, trying to make your recordings sound good? Your front end may be the problem. If your mic preamps and converters are not up to snuff, it really doesn't matter how good the rest of your kit is. A funky front end will degrade everything downstream. If this describes your studio situation, Redone recommends the Audient ASP880. Highly respected for their world-class consoles, Audient gives you their superior technology and sound quality in a one-stop-shop 1U device. And it's an incredible value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudient mic pres and Burr Brown converters onboard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ASP880 features eight of Audient's acclaimed Class A console mic preamps - and believe us - they sound amazing. For the best possible conversion, you also get integral ADC with the highest grade converters from Burr Brown, a leader in converter technology. The result is stunningly transparent sound, with just a taste of coloration. It's the ideal prescription for lackluster studio sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile functionality to juice your workflow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Audient ASP880 is fabulously versatile. It's perfect with ribbon mics, with variable impedance that lets you match the preamp to your favorite mic to maximize frequency response and punch. Variable highpass filters are convenient for eliminating rumble and other unwanted LF artifacts. Insert points let you use your favorite compressor or other analog processor before the converters. The A-D button lets the unit function as an eight-channel mic pre while you use the converters separately in stand-alone mode. And with two great-sounding discrete JFET DI inputs, you can plug your guitar or bass straight in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ASP880 Eight-channel Microphone Preamp\/ADC Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight superb-sounding Audient Console mic pres with 48V Phantom power\u003c\/li\u003e\n\u003cli\u003eState-of-the-art Burr Brown AD converter technology\u003c\/li\u003e\n\u003cli\u003eVariable-input impedance lets you optimize your (ribbon) mics\u003c\/li\u003e\n\u003cli\u003eVariable highpass filters get rid of unwanted low-frequency artifacts\u003c\/li\u003e\n\u003cli\u003eEight insert points between the mic preamps and AD converters\u003c\/li\u003e\n\u003cli\u003eTwo Channels of Class A discrete JFET DI instrument inputs\u003c\/li\u003e\n\u003cli\u003eDigital outputs: ADAT, AES, and S\/PDIF for added flexibility\u003c\/li\u003e\n\u003cli\u003eRugged all-metal construction and hand-milled aluminium knobs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"h4black\"\u003eUpgrade your studio's front end with the Audient ASP880!\u003c\/span\u003e\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":20017437933638,"sku":"ASP880","price":1999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/8805.png?v=1583949058"},{"product_id":"audient-asp800-8-channel-microphone-preamplifier-and-adc-with-hmx-iron","title":"Audient ASP800 8 Channel Microphone Preamplifier And Adc With Hmx \u0026 Iron","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eElevate Your Sonics\u003c\/h2\u003e\n\u003cp\u003eWant to drastically improve the sonic quality of your recordings? We've got a recommendation for you: the Audient ASP800. An ideal addition to your audio interface, the ASP800 mic preamp\/ADC gives you eight channels fitted with Audient's acclaimed console-grade mic preamps. The ASP800 features world-class Burr-Brown converter technology, two JFET DIs, and two Retro channels with Audient's proprietary, cutting-edge tone control circuitry. Just plug in your mics, guitars, keyboards, and drum machines and you're ready to rock. Elevate your studio sonics with the Audient ASP800.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ASP800 at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudient mic pres and Burr Brown converters onboard\u003c\/li\u003e\n\u003cli\u003eTwo Retro Channels for instant vintage vibe\u003c\/li\u003e\n\u003cli\u003eHMX MOSFET drive - sweet, fat, and punchy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudient mic pres and Burr Brown converters onboard\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ASP800 features eight of Audient's acclaimed Class A console mic preamps - and believe us - they sound amazing. For the best possible conversion, you also get integral ADC with the highest grade converters from Burr Brown, a leader in converter technology. The result is stunningly transparent sound, with just a taste of coloration. It's the ideal prescription to cure lackluster studio sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo Retro Channels for instant vintage vibe\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow, about the aforementioned coloration. Audient is famous for their ultra-clean mic pres - but that doesn't mean they don't appreciate the allure of added color. Whether enhancing a bass with a taste of growl or sparkling up a lead vocal, ASP800's cutting-edge harmonic generation circuitry if just what you need. Retro Channels One and Two each feature Audient's proprietary variable harmonic Colour controls, HMX and IRON. Serving up sonics reminiscent of 1960s tube designs and the coveted pastache of transformer-juiced '70s British consoles, HMX and Iron will add a whole new glorious dimension to your audio. Season to taste.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHMX MOSFET drive - sweet, fat, and punchy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRedone engineers love the sound of tubes and if you're with us on this, you're going to dig Audient's HMX - the ASP800's custom harmonic distortion control. Harkening back to vintage tube preamp designs from the 1960s, HMX delivers a sweet, fat sound that's works wonders on everything from electric guitars to bass synths to drums. HMX's discrete MOSFET technology produces asymmetrical harmonic distortion that gives you the option of adding body and lushness to the ASP800's pristine mic preamp, DI, or line input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAudient ASP800 Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight world-Class Audient Console mic preamps\u003c\/li\u003e\n\u003cli\u003eTwo Retro Channels with Dual Stage COLOUR Saturation Controls - HMX \u0026amp; IRON\u003c\/li\u003e\n\u003cli\u003eTwo Discrete JFET instrument inputs\u003c\/li\u003e\n\u003cli\u003ePristine 118-dB Burr-Brown A-D converters\u003c\/li\u003e\n\u003cli\u003eBalanced analog line outputs\u003c\/li\u003e\n\u003cli\u003eWord clock input\u003c\/li\u003e\n\u003cli\u003eiD ScrollControl mode\u003c\/li\u003e\n\u003cli\u003eAll-metal enclosure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"h4black\"\u003eElevate your studio sonics with the Audient ASP800!\u003c\/span\u003e\u003c\/p\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":20017467719750,"sku":"ASP800","price":1299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/ASP800-Brochure-Shot-1.png?v=1689103462"},{"product_id":"audio-technica-at8531-in-line-powering-module","title":"Audio-Technica AT8531 In-Line Powering Module","description":"\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\n\u003cdiv class=\"ov-desc\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAudio Technica AT8531\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis an in-line body-pack power supply for AT gooseneck and overhead microphones. The unit is designed to supply 9 to 52V phantom power and uses AA batteries. A low frequency roll-off switch is provided and minimizes structure and wind noise and a belt clip provides added stability. 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Also suitable for use with any Audio-Technica Wireless Essentials® microphone terminated with 4-pin locking connector. The AT8539 allows you to convert your wireless microphone into a wired model. 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With top-notch CineMag transformers and multiple discrete signal paths, it’s hard to beat the Tone Beast’s big, bold, fully-professional sound at this price.\u003c\/p\u003e\n\u003cp\u003eThe Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won’t appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.\u003c\/p\u003e\n\u003cp\u003eWhen designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam-packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe TB12 Tone Beast Black is a fully discrete, high-voltage microphone preamplifier, utilizing CineMag USA Transformers. 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These are socketed\/swappable with your choice of 2520 6 pin footprint opamps\u003c\/li\u003e\n\u003cli\u003eImpedance switch labeled TONE to switch between 150 and 600 ohms input impedance\u003c\/li\u003e\n\u003cli\u003e2 Meg Ohm True HI-Z input on front panel sends instrument signal through entire circuit including both Cinemag Transformers and the discrete opamps. Great for guitars, bass, keyboards and other instruments that have a 1\/4″ output jack\u003c\/li\u003e\n\u003cli\u003e80hz highpass filter\u003c\/li\u003e\n\u003cli\u003ePolarity Reverse\u003c\/li\u003e\n\u003cli\u003eUtilizes premium grade CineMag USA Transformers\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003cli\u003eOutput attenuation allows for saturation flexibility of both opamps and transformers\u003c\/li\u003e\n\u003cli\u003e¼” insert for the use of inline compressors, eq’s, etc\u003c\/li\u003e\n\u003cli\u003eBalanced XLR mic (front and back), balanced TRS line, and ¼” UNBALANCED instrument inputs\u003c\/li\u003e\n\u003cli\u003eBalanced XLR and TRS outputs\u003c\/li\u003e\n\u003cli\u003e-20db Pad\u003c\/li\u003e\n\u003cli\u003eLED VU Meter\u003c\/li\u003e\n\u003cli\u003e19″ rack-mountable\u003c\/li\u003e\n\u003cli\u003eSwitchable 115\/230 volt IEC power inlet.\u003c\/li\u003e\n\u003cli\u003eCapacitor selection between Tantalum and Electrolytic for different characters\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":29501627727942,"sku":"TB12-BLACK","price":1099.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/warm-audio-tb12-black.webp?v=1689103657"},{"product_id":"black-lion-audio-4-channel-microphone-preamplifier","title":"Black Lion Audio B12A QUAD 4-Channel Microphone Preamplifier","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"prodcutDescriptionLong\"\u003eThe B12A Quad is Black Lion Audio’s latest rendition of 312A-style gain with 70dB of bang! Housing four channels of Rock ‘n’ Roll punch in a 1U chassis, it delivers modern flair with solid vintage tone at an unbeatable price! Each channel of the B12A Quad has the same delicious Cinemag input transformer found in the venerable B12A Mk2, but also sports Cinemag output transformers, two front panel D.I.’s, output metering on every channel, and XLR\/TRS parallel outputs in back! And if that doesn’t cook your noodle, the B12A Quad packs all of this punch at under $300\/channel!\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul id=\"itemBullets\"\u003e\n\u003cli\u003eUSA Cinemag transformers in and out\u003c\/li\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003cli\u003eSounds better than anything else in its class\u003c\/li\u003e\n\u003cli\u003eBetter metering than anything else in its class\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Black Lion Audio","offers":[{"title":"Default Title","offer_id":31311406530639,"sku":"B12AQUAD","price":1849.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/1_9dd0ec4d-47c1-4833-8e4d-18090d7c1de2-removebg-preview.png?v=1689103621"},{"product_id":"golden-age-project-eq81-mk-ii-vintage-style-4-band-eq","title":"Golden Age Project EQ-81 MK II - Vintage Style 4-Band EQ","description":"\u003cspan\u003eThe class-AB equalizer circuit used in the EQ-81 MKII is similar to the eq section in the classic 1081 module, without the high and low pass filters.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe EQ-81 MKII has stepped frequency controls that offers a wide selection of frequencies from 33 Hz to 15 kHz. The BASS and TREBLE frequency bands are switchable between shelving and bell and the MID frequency bands is of the bell type with a switchable Hi Q setting. The control range is +\/- 18dB. All four bands can be set in an off mode.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe EQ-81 MKII can be used either as a standalone EQ or connected to the insert jack of one of the Golden Age Project preamps. Combining one of our PRE-73 preamp's and an EQ-81 MKII and using a UNITE rack kit to mount them together, one will get a 19-inch 1081-style unit at a low cost and with a great sound!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e• Vintage Style electronics. No integrated circuits in the signal path when the Insert connector is used\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4-band with inductor based mid frequency bands\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Stepped frequency selection\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• A wide selection of frequencies from 33 Hz to 15 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Control range up to +\/- 18 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Each band has an off mode\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Tantalum capacitors in the EQ signal path\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Can be used together with one of our preamp's with an insert jack or as a standalone unit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• TRS jack for the INSERT mode in- and output connection, the nominal working level is around -18 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• IC-based in- and output stage for the LINE IN mode with balanced TRS and XLR connectors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Selectable ground lift jumper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• External power supply to avoid interaction with the audio circuits\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Great sound that suits most sound sources and genres\u003c\/span\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":31620741300303,"sku":"EQ81MK2","price":679.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/img_1565033145_1__44016.1565033147.jpg?v=1583953638"},{"product_id":"heritage-audio-ha73eqx2-elite-dual-channel-full-rack-mic-pre-with-eq","title":"Heritage Audio HA73EQX2 Elite Dual-Channel Full Rack Mic Pre with EQ","description":"\u003cdiv class=\"product attribute description\"\u003e\n\u003cdiv class=\"value\"\u003e\n\u003cp\u003eThe Heritage Audio HA73EQ is now twice as awesome with it's brand spankin' new dual channel format!\u003c\/p\u003e\n\u003cp\u003eAfter almost 7 years making one of the finest hi end outboard gear line in the industry, Heritage Audio is proud to introduce the Elite series.\u003c\/p\u003e\n\u003cp\u003eLeveraging the expertise and reputation obtained with its former hand wired, extremely time-consuming hand soldered series, Heritage is able to offer a zero compromise, high quality yet very affordable alternative to the growing entry-level brands. \u003c\/p\u003e\n\u003cp\u003eA combination of mass production, lean manufacturing and modern construction techniques, minimizes hand labor and therefore its high associated costs when manufacturing takes place in Western Europe. By passing the savings straight into the end users´ pockets, Heritage Audio releases the most affordable outboard preamps and equalizers in its class up to date.\u003c\/p\u003e\n\u003cp\u003eKey components to obtain a true vintage sound are indeed maintained, like the industry standard Carnhill transformers, hand wound in St Ives, England.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"additional-attributes-wrapper table-wrapper\"\u003e\n\u003ctable class=\"data table additional-attributes\" id=\"product-attribute-specs-table\"\u003e\n\u003ccaption class=\"table-caption\"\u003eMore Information\u003c\/caption\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"col label\" scope=\"row\"\u003eProduct Name\u003c\/th\u003e\n\u003ctd class=\"col data\" data-th=\"Product Name\"\u003eHeritage Audio HA73EQx2 Elite Dual-Channel Full Rack Mic Pre with EQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"col label\" scope=\"row\"\u003eBrand\u003c\/th\u003e\n\u003ctd class=\"col data\" data-th=\"Brand\"\u003eHeritage Audio\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"col label\" scope=\"row\"\u003eCondition\u003c\/th\u003e\n\u003ctd class=\"col data\" data-th=\"Condition\"\u003eNew\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"col label\" scope=\"row\"\u003eMPN\u003c\/th\u003e\n\u003ctd class=\"col data\" data-th=\"MPN\"\u003eHA73EQX2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"col label\" scope=\"row\"\u003eUPC\u003c\/th\u003e\n\u003ctd class=\"col data\" data-th=\"UPC\"\u003e7505369371578\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":31642453770319,"sku":"HA73EQX2","price":3349.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/products\/heritage-ha73eqx2-front__42179.1528906974.jpg?v=1583952015"},{"product_id":"heritage-audio-ha73eq-elite-single-channel-mic-preamp-with-eq","title":"Heritage Audio HA73EQ ELITE Single Channel Mic Preamp w\/EQ","description":"\u003cp\u003e\u003cspan\u003eHeritage Audio's value-packed Elite series leverages the expertise gleaned from years of making acclaimed vintage-inspired equipment. For the HA73EQ Elite, Heritage Audio set its target high: their own widely respected, hand-wired HA73jr and DMA73 preamps — themselves based on the most iconic vintage console preamp\/EQ module in history, the 1073. You might ask how Heritage can offer the same world-class sound and performance at such a budget-friendly price. Through economies of scale, mostly. They don't cut corners on components (the HA73EQ Elite employs genuine Carnhill input and output transformers), but they do order parts and build in quantity, using lean manufacturing and modern construction techniques, in the same Spanish factory as the rest of their line.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"webtext-block webtext-switched webtext-block--media-right webtext-block--mixed-content\"\u003e\n\u003cdiv class=\"webtext__column webtext--text\"\u003e\n\u003ch3\u003eThe mother of all preamps\u003c\/h3\u003e\n\u003cp\u003eThe Heritage Audio HA73EQ Elite preamp\/EQ packs your rack with a potent dose of vintage vibe. It's based on the iconic 1073, amplifying any microphone or instrument with vibrant clarity and punch. Drive the input harder to get rich, saturated sound like you would on a vintage console. With 80dB of gain, you've got a preamp that's ready to bring out the best in any microphone — condenser, dynamic, or ribbon. Trust us: it's really difficult to make this thing sound bad!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext__column webtext--media\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eThe holy grail of EQ\u003c\/h3\u003e\n\u003cp\u003eThe EQ section of the HA73EQ Elite adheres to the classic 1073 circuit topology. The vintage 1073 is the holy grail of EQ, and the Heritage Audio 73EQ JR nails its sonics and behavior (complete with its fabled harmonic distortion). It's a three-band affair, with ±16dB of fixed HF shelving; ±18dB of fixed-Q midband peaking with selectable center frequencies at 360Hz, 700Hz, 1.6kHz, 3.2kHz, 4.8kHz, and 7.2kHz; and ±16dB of LF shelving, selectable at 35Hz, 60Hz, 110Hz, and 220Hz. A highpass filter, selectable at 50Hz, 80Hz, 160Hz, and 300Hz, lets you trim your signals of unwanted low end. If you've never worked with a 1073-style EQ before, all we can say is: you're in for a serious treat.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--media\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAdd rich transformer saturation to any source\u003c\/h3\u003e\n\u003cp\u003eThe Heritage Audio HA73EQ has Carnhill input and output transformers, ready to add warmth, girth, and authority to any sound source — mic, line, or even DI instruments. The DI circuit is ahead of the mic input transformer, perfect for adding some hair to DI bass signals on the way in. The HA73EQ has separate input and output gain controls, so you can crank the input to get more transformer color, without overloading the output stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"webtext-block webtext-switched  webtext-block--text\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eHeritage Audio HA73EQ Elite Mic Preamp Features:\u003c\/h2\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003eFully discrete, 3-stage Class A mic preamp with 80dB of gain\u003c\/li\u003e\n\u003cli\u003eIndustry standard Carnhill transformers hand-wound in St Ives, England\u003c\/li\u003e\n\u003cli\u003eSeparate input and output gain controls let you drive the input for saturation without overloading the output\u003c\/li\u003e\n\u003cli\u003eLine input on separate XLR for adding warmth and girth to pre-recorded tracks\u003c\/li\u003e\n\u003cli\u003e20dB PAD on the mic input to avoid overloading the input transformer when desired\u003c\/li\u003e\n\u003cli\u003eLOZ switches the input impedance of the mic transformer from 200 to 50 ohms\u003c\/li\u003e\n\u003cli\u003e80Hz highpass filter; +48V phantom power; polarity reverse\u003c\/li\u003e\n\u003cli\u003eUltra-high-impedance JFET-based DI input\u003c\/li\u003e\n\u003cli\u003eFully discrete classic 3-band EQ with vintage-correct inductors\u003c\/li\u003e\n\u003cli\u003eHigh-frequency shelf at 12kHz\u003c\/li\u003e\n\u003cli\u003eMid-band selectable between 6 frequencies and OFF\u003c\/li\u003e\n\u003cli\u003eLow-frequency shelf selectable between 4 frequencies and OFF\u003c\/li\u003e\n\u003cli\u003eInductor-based highpass filter, frequency selectable between 4 frequencies and OFF\u003c\/li\u003e\n\u003cli\u003eRugged 19\" 1RU format chassis\u003c\/li\u003e\n\u003cli\u003eExternal universal power supply for worldwide use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":31642552959055,"sku":"HA73EQ","price":1679.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/lg_f86a9413fb50c3a66153aa0f08e06902.jpg?v=1689103565"},{"product_id":"heritage-audio-ha-73-single-channel-elite-series-microphone-preamplifier","title":"Heritage Audio HA73 Single-Channel Elite Series Microphone Preamplifier","description":"\u003cdiv\u003e\n\u003cdiv class=\"productDescription_3d-uhdpIFfxbuhG5B7_INl\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv\u003e\n\u003cp\u003ehe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHeritage Audio HA 73\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a 1 RU single-channel Elite Series microphone preamplifier designed to provide the sound of classic Neve 1073 preamps for recording engineers, musicians, and vocalists in mobile-recording rigs and home, project, and commercial studios. It features 80 dB of gain via a three-stage discrete Class-A preamp, which utilizes stepped input gain and a -20 dB pad. Hand-wound Carnhill transformers impart color and character to the output.\u003c\/p\u003e\n\u003cp\u003eConnect a mic or line input via balanced XLR jacks or hook up a guitar, bass, or keyboard to the integrated Hi-Z, JFET-based DI via the front-panel 1\/4\" jack. The selectable 82 Hz high-pass filter enables quick low-end management when rumble or proximity effect needs to be attenuated. Phantom power and input impedance are selectable and the output level is continuously variable.\u003c\/p\u003e\n\u003cp\u003eThe HA 73 ships with an external universal power supply for worry-free use anywhere in the world.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eSingle-channel microphone preamplifier in a 1 RU enclosure\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eThree-stage discrete Class-A preamp with 80 dB of gain and -20 dB pad\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eHand-wound Carnhill transformers\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eStepped input gain for easy recall\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eVariable output level\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eSwitchable 300\/1200-Ohm impedance\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eSelectable 48 VDC phantom power\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eSelectable -3 db high-pass filter at 82 Hz\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eOne integrated Hi-Z, JFET-based DI for direct connection of instruments\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"descriptionAsTitle_LRRtSDQ8YlWH-emvPXLFQ\"\u003e\n\u003cdiv\u003eExternal universal power supply works regardless of region\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":31642599030863,"sku":"HA73","price":1049.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/files\/lg_a69e127cef121a69454066ec1758ec91.jpg?v=1689103811"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0054\/9466\/9382\/collections\/Preamps_warmaudio.png?v=1695388286","url":"https:\/\/shop.musicredone.com\/collections\/preamps.oembed?page=4","provider":"RedOne Music Canada","version":"1.0","type":"link"}